diff options
| author | Ryan Kavanagh <rak@debian.org> | 2013-03-26 16:17:58 -0400 |
|---|---|---|
| committer | Ryan Kavanagh <rak@debian.org> | 2013-03-26 16:17:58 -0400 |
| commit | acb981e97d245822979cd95e2941504e1c2ca71a (patch) | |
| tree | fad6c98ae10720a01e58d34b3dbc49e43a8a58b4 | |
| parent | Add opbsd misc and openssh-unix-dev to imapfilter (diff) | |
Imported my fonts
Diffstat (limited to '')
48 files changed, 1090 insertions, 0 deletions
diff --git a/.fonts/Fell/Fell Types License.txt b/.fonts/Fell/Fell Types License.txt new file mode 100644 index 0000000..5f53e85 --- /dev/null +++ b/.fonts/Fell/Fell Types License.txt @@ -0,0 +1 @@ +This Font Software is licensed under the SIL Open Font License, Version 1.1.
\ No newline at end of file diff --git a/.fonts/Fell/IMFeDPit29C.otf b/.fonts/Fell/IMFeDPit29C.otf Binary files differnew file mode 100644 index 0000000..69c2373 --- /dev/null +++ b/.fonts/Fell/IMFeDPit29C.otf diff --git a/.fonts/Fell/IMFeDPrm29C.otf b/.fonts/Fell/IMFeDPrm29C.otf Binary files differnew file mode 100644 index 0000000..86ae43b --- /dev/null +++ b/.fonts/Fell/IMFeDPrm29C.otf diff --git a/.fonts/Fell/IMFeENit29C.otf b/.fonts/Fell/IMFeENit29C.otf Binary files differnew file mode 100644 index 0000000..f0f8305 --- /dev/null +++ b/.fonts/Fell/IMFeENit29C.otf diff --git a/.fonts/Fell/IMFeENrm29C.otf b/.fonts/Fell/IMFeENrm29C.otf Binary files differnew file mode 100644 index 0000000..c0f4118 --- /dev/null +++ b/.fonts/Fell/IMFeENrm29C.otf diff --git a/.fonts/Fell/IMFeFCit29C.otf b/.fonts/Fell/IMFeFCit29C.otf Binary files differnew file mode 100644 index 0000000..92820c9 --- /dev/null +++ b/.fonts/Fell/IMFeFCit29C.otf diff --git a/.fonts/Fell/IMFeFCrm29C.otf b/.fonts/Fell/IMFeFCrm29C.otf Binary files differnew file mode 100644 index 0000000..fa63edd --- /dev/null +++ b/.fonts/Fell/IMFeFCrm29C.otf diff --git a/.fonts/Fell/IMFeFlow1.otf b/.fonts/Fell/IMFeFlow1.otf Binary files differnew file mode 100644 index 0000000..3563122 --- /dev/null +++ b/.fonts/Fell/IMFeFlow1.otf diff --git a/.fonts/Fell/IMFeFlow2.otf b/.fonts/Fell/IMFeFlow2.otf Binary files differnew file mode 100644 index 0000000..e5166b4 --- /dev/null +++ b/.fonts/Fell/IMFeFlow2.otf diff --git a/.fonts/Fell/IMFeGPit29C.otf b/.fonts/Fell/IMFeGPit29C.otf Binary files differnew file mode 100644 index 0000000..85ef6bb --- /dev/null +++ b/.fonts/Fell/IMFeGPit29C.otf diff --git a/.fonts/Fell/IMFeGPrm29C.otf b/.fonts/Fell/IMFeGPrm29C.otf Binary files differnew file mode 100644 index 0000000..07558ba --- /dev/null +++ b/.fonts/Fell/IMFeGPrm29C.otf diff --git a/.fonts/Fell/IMFePIit29C.otf b/.fonts/Fell/IMFePIit29C.otf Binary files differnew file mode 100644 index 0000000..47f99e9 --- /dev/null +++ b/.fonts/Fell/IMFePIit29C.otf diff --git a/.fonts/Fell/IMFePIrm29C.otf b/.fonts/Fell/IMFePIrm29C.otf Binary files differnew file mode 100644 index 0000000..33862e9 --- /dev/null +++ b/.fonts/Fell/IMFePIrm29C.otf diff --git a/.fonts/Fell/IMFeTLrm29C.otf b/.fonts/Fell/IMFeTLrm29C.otf Binary files differnew file mode 100644 index 0000000..d18ae92 --- /dev/null +++ b/.fonts/Fell/IMFeTLrm29C.otf diff --git a/.fonts/Inconsolata-Hellenic b/.fonts/Inconsolata-Hellenic new file mode 160000 +Subproject 69cccaee77e3d0d39a9d8aa504c078e3be79fdf diff --git a/.fonts/InconsolataHellenic.otf b/.fonts/InconsolataHellenic.otf Binary files differnew file mode 100644 index 0000000..b440b62 --- /dev/null +++ b/.fonts/InconsolataHellenic.otf diff --git a/.fonts/Makefile b/.fonts/Makefile new file mode 100644 index 0000000..60390be --- /dev/null +++ b/.fonts/Makefile @@ -0,0 +1,20 @@ +fonts = InconsolataHellenic.otf \ + ubuntu-font-family-0.80 \ + Fell \ + Vollkorn + +all: $(fonts) + +clean: + rm -f $(fonts) + +install: $(fonts) + [ -d ../build/.fonts ] || mkdir -p ../build/.fonts + cp -fr $^ ../build/.fonts/ + +# Requires fontforge +InconsolataHellenic.otf: Inconsolata-Hellenic/Inconsolata-Hellenic.sfd convert.pe + fontforge -script convert.pe $< + mv -f $(<:.sfd=.otf) $@ + +.PHONY: all clean install diff --git a/.fonts/Quando/OFL.txt b/.fonts/Quando/OFL.txt new file mode 100644 index 0000000..f1a20ac --- /dev/null +++ b/.fonts/Quando/OFL.txt @@ -0,0 +1,97 @@ +Copyright (c) <dates>, <Copyright Holder> (<URL|email>),
+with Reserved Font Name <Reserved Font Name>.
+Copyright (c) <dates>, <additional Copyright Holder> (<URL|email>),
+with Reserved Font Name <additional Reserved Font Name>.
+Copyright (c) <dates>, <additional Copyright Holder> (<URL|email>).
+
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/.fonts/Quando/Quando-Regular.ttf b/.fonts/Quando/Quando-Regular.ttf Binary files differnew file mode 100644 index 0000000..707610a --- /dev/null +++ b/.fonts/Quando/Quando-Regular.ttf diff --git a/.fonts/Vollkorn/Fontlog.txt b/.fonts/Vollkorn/Fontlog.txt new file mode 100644 index 0000000..3ea0b37 --- /dev/null +++ b/.fonts/Vollkorn/Fontlog.txt @@ -0,0 +1,46 @@ + +FONTLOG for Vollkorn
+––––––––––––––––––––––––––––––––––––––––– +This file provides detailed information on the Vollkorn Font Software. +This information should be distributed along with the Vollkorn fonts and any derivative works.
+
+ +Basic Font Information
+––––––––––––––––––––––––––––––––––––––––– +Vollkorn – the free and healthy typeface for bread and butter use, designed by Friedrich Althausen. +Vollkorn came into being as my first type designing attempt. I published the Regular on my site grafikfritze.de in 2005 under a Creative-Commons-License. Until the counter finally collapsed two years later it had been downloaded thousands of times and used for web and print matters. It intends to be a quiet, modest and well working text face for bread and butter use. Unlike examples in the book faces from the renaissance until today, it has dark and meaty serifs and a bouncing and healthy look. It might be used as body type as well as for headlines or titles. »Vollkorn« is German for »wholemeal« which refers to the old term »Brotschrift«. It stood for the small fonts for every day use in hand setting times. +Since 19 May 2010 Vollkorn is published under the OFL. +Original Designers address: Friedrich Althausen, friedrichalthausen.de, Weimar, Germany
+ + +ChangeLog
+––––––––––––––––––––––––––––––––––––––––– +(This should list both major and minor changes, most recent first.)
+ +15 September 2010 (Yanone) Vollkorn Version 2.1 +- fixing TT-Hinting: droping-out horizontal strokes at 14 px + +07 September 2010 (Friedrich Althausen, supported by Yanone) Vollkorn Version 2.1 +- Initial release of the styles Vollkorn Italic and Bold-Italic +- Small improvements in the Regular and Bold styles +
+19 May 2010 (Friedrich Althausen, supported by Yanone) Vollkorn Version 2.0
+- Initial release of the fonts Vollkorn Regular and Bold under the SIL OFL 1.1 + +late 2005 (Friedrich Althausen) Vollkorn Version 1.0
+- First release of Vollkorn under the Creative Commons License “Attribution 2.0 Germany”
+
+ +Acknowledgements
+––––––––––––––––––––––––––––––––––––––––– +(Here is where contributors can be acknowledged. If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.)
+
+N: Friedrich Althausen
+E: post@friedrichalthausen.de
+W: http://friedrichalthausen.de/
+D: Designer – original Regular, Bold, Italic and Bold-Italic, ISO Latin 1 and some additional
+
+N: Jan Yanone Gerner
+E: post@yanone.de
+W: http://yanone.de/
+D: Engineer/Designer – TrueType hinting and mastering
diff --git a/.fonts/Vollkorn/OFL-FAQ.txt b/.fonts/Vollkorn/OFL-FAQ.txt new file mode 100644 index 0000000..cc9c3dd --- /dev/null +++ b/.fonts/Vollkorn/OFL-FAQ.txt @@ -0,0 +1,235 @@ +OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL)
+Version 1.1-update1 - 31 March 2009
+(See http://scripts.sil.org/OFL for updates)
+
+
+1 ABOUT USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
+
+1.1 Can I use the fonts in any publication, even embedded in the file?
+Yes. You may use them like most other fonts, but unlike some fonts you may include an embedded subset of the fonts in your document. Such use does not require you to include this license or other files (listed in OFL condition 2), nor does it require any type of acknowledgement within the publication. Some mention of the font name within the publication information (such as in a colophon) is usually appreciated. If you wish to include the complete font as a separate file, you should distribute the full font package, including all existing acknowledgements, and comply with the OFL conditions. Of course, referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL.
+
+1.2 Can I make web pages using these fonts?
+Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Direct usage of fonts retrieved from a remote server - also referred to as font linking - using cross-platform open standards like @font-face is encouraged. This is considered to be use and distribution for which the OFL explicitly grants permission. The font file itself is not embedded in the webpage but referenced through a web address (i.e. a URI regardless of file format or access protocol) which will cause the browser to retrieve and use the corresponding font to render the webpage. This usage scenario is different from font embedding within a document (i.e. a PDF) where the font or some of its elements become part of the document. Note that embedding in a document is also permitted by the license as indicated in 1.1. (See 1.10 for details related to URL-based access restrictions methods or DRM mechanisms).
+
+1.3 Can I make the fonts available to others from my web site?
+Yes, as long as you meet the conditions of the license (do not sell by itself, include the necessary files, include the necessary copyright and license information, rename Modified Versions, do not abuse the Author(s)' name(s) and do not sublicense). In the case where you are hosting fonts to be served on the web, make sure the file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. If you are making the font available for use via the @font-face open standard, putting this information in the standard font metadata fields is sufficient. Other font formats, including EOT and proposed superior alternatives, already provide fields for this information.
+
+1.4 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions?
+Yes! Fonts licensed under the OFL can be freely aggregated with software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are much more useful aggregated to than merged with existing software, possible incompatibility with existing software licenses is not a problem. You can also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distro CD/DVDs and online repositories.
+
+1.5 I want to distribute the fonts with my program. Does this mean my program also has to be free/libre and open source software?
+No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well.
+
+1.6 Can I include the fonts on a CD of freeware or commercial fonts?
+Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself.
+
+1.7 Can I sell a software package that includes these fonts?
+Yes, you can do this with both the Original Version and a Modified Version. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, edutainment software, etc.
+
+1.8 Why won't the OFL let me sell the fonts alone?
+The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honor and respect their contribution!
+
+1.9 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions?
+Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgment section. Please consider using the Original Versions of the fonts whenever possible.
+
+1.10 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement?
+The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a gray area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not.
+
+1.11 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM mechanisms?
+Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package or bundle. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL.
+
+1.12 What about distributing fonts with a document? Within a compressed folder structure like an OpenDocument file (.odt) for example? Is it redistribution, bundling or embedding?
+The vast majority of the time, documents circulated in electronic form reference a font name which will match the corresponding font on the target system but do not carry the font within themselves. There may, however, be some cases where you need to bundle a font with the document. Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) for which the licensing makes explicit provision. In this case the font is conveyed unchanged whereas embedding a font transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its Author(s).
+
+1.13 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to Author(s)?
+The few utilities that can extract fonts embedded in a PDF will only output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the Author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document please be considerate, use your common sense and respect the work of the Author(s) and the licensing model.
+
+1.14 What about sharing OFL fonts with friends on a CD, DVD or USB stick?
+You are very welcome to share open fonts with friends, family and colleagues on such removable media. Please make sure that you share and share-alike as much as possible from what the Author(s) released and that you don't strip away useful information which may not be present in the binary font files themselves. Just remember that in the case where you sell the font, it has to come bundled with software.
+
+
+2 ABOUT MODIFYING OFL LICENSED FONTS
+
+2.1 Can I change the fonts? Are there any limitations to what things I can and cannot change?
+You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could add additional information into it that covers your contribution.
+
+2.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine?
+Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license.
+
+2.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font?
+Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package.
+
+2.4 Can I pay someone to enhance the fonts for my use and distribution?
+Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefitted from the contributions of others.
+
+2.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use?
+No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefitted from the contributions of others.
+
+2.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available?
+No, but please do share your improvements with others. You may find that you receive more than what you gave in return.
+
+2.7 Why can't I use the Reserved Font Name(s) in my derivative font names? I'd like people to know where the design came from.
+The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Name(s) ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. Keep in mind that the Copyright Holder(s) can allow a specific trusted partner to use Reserved Font Name(s) through a separate written agreement.
+
+2.8 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name?
+Yes, the requirement to change the visible name used to differentiate the font from others applies to the font menu name and other mechanisms to specify a font in a document. It would be fine, for example, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement; see section 2.7). Users who install derivatives ("Modified Versions") on their systems should not see any of the original names ("Reserved Font Names") in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake a font for another and so expect features only another derivative or the Original Version can actually offer. Ultimately, creating name conflicts will cause many problems for the users as well as for the designer of both the Original and Modified versions, so please think ahead and find a good name for your own derivative. Font substitution systems like fontconfig, or application-level font fallback configuration within OpenOffice.org or Scribus, will also get very confused if the name of the font they are configured to substitute to actually refers to another physical font on the user's hard drive. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. The substitution mechanism itself is outside the scope of the license. Users can always manually change a font reference in a document or set up some kind of substitution at a higher level but at the lower level the fonts themselves have to respect the Reserved Font Name(s) requirement to prevent ambiguity. If a substitution is currently active the user should be aware of it.
+
+2.9 Am I not allowed to use any part of the Reserved Font Names?
+You may not use the words of the font names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute.
+
+2.10 So what should I, as an author, identify as Reserved Font Names?
+Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River".
+
+2.11 Do I, as an author, have to identify any Reserved Font Names?
+No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified versions. You may, however, give certain trusted parties the right to use any of your Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion.
+
+2.12 Are any names (such as the main font name) reserved by default?
+No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s).
+
+2.13 What is this FONTLOG thing exactly?
+It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge the authors and other contributors. Please use it! See below for details on how changes should be noted.
+
+2.14 Am I required to update the FONTLOG?
+No, but users, designers and other developers might get very frustrated at you if you don't! People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them.
+
+
+3 ABOUT THE FONTLOG
+
+The FONTLOG can take a variety of formats, but should include these four sections:
+
+3.1 FONTLOG for <FontFamilyName>
+This file provides detailed information on the <FontFamilyName> Font Software. This information should be distributed along with the <FontFamilyName> fonts and any derivative works.
+
+3.2 Basic Font Information
+(Here is where you would describe the purpose and brief specifications for the font project, and where users can find more detailed documentation. It can also include references to how changes can be contributed back to the Original Version. You may also wish to include a short guide to the design, or a reference to such a document.)
+
+3.3 ChangeLog
+(This should list both major and minor changes, most recent first. Here are some examples:)
+
+7 February 2007 (Pat Johnson) <NewFontFamilyName> Version 1.3
+- Added Greek and Cyrillic glyphs
+- Released as "<NewFontFamilyName>"
+
+7 March 2006 (Fred Foobar) <NewFontFamilyName> Version 1.2
+- Tweaked contextual behaviours
+- Released as "<NewFontFamilyName>"
+
+1 Feb 2005 (Jane Doe) <NewFontFamilyName> Version 1.1
+- Improved build script performance and verbosity
+- Extended the smart code documentation
+- Corrected minor typos in the documentation
+- Fixed position of combining inverted breve below (U+032F)
+- Added OpenType/Graphite smart code for Armenian
+- Added Armenian glyphs (U+0531 -> U+0587)
+- Released as "<NewFontFamilyName>"
+
+1 Jan 2005 (Joe Smith) <FontFamilyName> Version 1.0
+- Initial release of font "<FontFamilyName>"
+
+3.4 Acknowledgements
+(Here is where contributors can be acknowledged.
+
+If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.)
+
+N: Jane Doe
+E: jane@university.edu
+W: http://art.university.edu/projects/fonts
+D: Contributor - Armenian glyphs and code
+
+N: Fred Foobar
+E: fred@foobar.org
+W: http://foobar.org
+D: Contributor - misc Graphite fixes
+
+N: Pat Johnson
+E: pat@fontstudio.org
+W: http://pat.fontstudio.org
+D: Designer - Greek & Cyrillic glyphs based on Roman design
+
+N: Tom Parker
+E: tom@company.com
+W: http://www.company.com/tom/projects/fonts
+D: Engineer - original smart font code
+
+N: Joe Smith
+E: joe@fontstudio.org
+W: http://joe.fontstudio.org
+D: Designer - original Roman glyphs
+
+(Original authors can also include information here about their organization.)
+
+
+4 ABOUT MAKING CONTRIBUTIONS
+
+4.1 Why should I contribute my changes back to the original authors?
+It would benefit many people if you contributed back to what you've received. Providing your contributions and improvements to the fonts and other components (data files, source code, build scripts, documentation, etc.) could be a tremendous help and would encourage others to contribute as well and 'give back', which means you will have an opportunity to benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute.
+
+4.2 I've made some very nice improvements to the font, will you consider adopting them and putting them into future Original Versions?
+Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes (the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea). Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting.
+
+4.3 How can I financially support the development of OFL fonts?
+It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version.
+
+
+5 ABOUT THE LICENSE
+
+5.1 I see that this is version 1.1 of the license. Will there be later changes?
+Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL.
+
+5.2 Can I use the SIL Open Font License for my own fonts?
+Yes! We heartily encourage anyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. Some additional information about using the OFL is included at the end of this FAQ.
+
+5.3 Does this license restrict the rights of the Copyright Holder(s)?
+No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this.
+
+5.4 Is the OFL a contract or a license?
+The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license.
+
+5.5 How about translating the license and the FAQ into other languages?
+SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and this FAQ better in their own language. Making the license very clear and readable is a key goal of the OFL.
+
+If you are an experienced translator, you are very welcome to help by translating the OFL and its FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems.
+
+We give permission to publish unofficial translations into other languages provided that they comply with the following guidelines:
+
+- put the following disclaimer in both English and the target language stating clearly that the translation is unofficial:
+
+"This is an unofficial translation of the SIL Open Font License into $language. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text.
+
+However, we recognize that this unofficial translation will help users and designers not familiar with English to understand the SIL OFL better and make it easier to use and release font families under this collaborative font design model. We encourage designers who consider releasing their creation under the OFL to read the FAQ in their own language if it is available.
+
+Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying FAQ."
+
+- keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion.
+
+If you start such a unofficial translation effort of the OFL and its accompanying FAQ please let us know, thank you.
+
+
+6 ABOUT SIL INTERNATIONAL
+
+6.1 Who is SIL International and what does it do?
+SIL International is a worldwide faith-based education and development organization (NGO) that studies, documents, and assists in developing the world's lesser-known languages through literacy, linguistics, translation, and other academic disciplines. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment.
+
+6.2 What does this have to do with font licensing?
+The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack) so SIL developed the SIL Open Font License with the help of the FLOSS community.
+
+6.3 How can I contact SIL?
+Our main web site is: http://www.sil.org/
+Our site about complex scripts is: http://scripts.sil.org/
+Information about this license (including contact email information) is at: http://scripts.sil.org/OFL
+
+
+7 ABOUT USING THE OFL FOR YOUR ORIGINAL FONTS
+
+If you want to release your fonts under the OFL, you only need to do the following:
+
+7.1 Put your copyright and reserved font names information in the beginning of the main OFL file (simply use the dedicated placeholders).
+7.2 Put your copyright and the OFL references in your various font files (such as in the copyright, license and description fields) and in your other components (build scripts, glyph databases, documentation, rendering samples, etc). Accurate metadata in your font files is beneficial to you as an increasing number of applications are exposing this information to the user. For example, clickable links can bring users back to your website and let them know about other work you have done or services you provide. Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata.
+7.3 Write an initial FONTLOG for your font and include it in the release package.
+7.4 Include the OFL license file in your release package.
+7.5 We also highly recommend you include the relevant practical documentation on the license by putting the OFL-FAQ in your package.
+7.6 If you wish, you can use the OFL Graphics on your web page.
+
+That's all. If you have any more questions please get in touch with us.
+
+
diff --git a/.fonts/Vollkorn/OpenFontLicense.txt b/.fonts/Vollkorn/OpenFontLicense.txt new file mode 100644 index 0000000..1662aac --- /dev/null +++ b/.fonts/Vollkorn/OpenFontLicense.txt @@ -0,0 +1,93 @@ +Copyright (c) 2010, Friedrich Althausen (http://friedrichalthausen.de). All rights reserved. +
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/.fonts/Vollkorn/Vollkorn-Bold.ttf b/.fonts/Vollkorn/Vollkorn-Bold.ttf Binary files differnew file mode 100644 index 0000000..9d4730f --- /dev/null +++ b/.fonts/Vollkorn/Vollkorn-Bold.ttf diff --git a/.fonts/Vollkorn/Vollkorn-BoldItalic.ttf b/.fonts/Vollkorn/Vollkorn-BoldItalic.ttf Binary files differnew file mode 100644 index 0000000..f703559 --- /dev/null +++ b/.fonts/Vollkorn/Vollkorn-BoldItalic.ttf diff --git a/.fonts/Vollkorn/Vollkorn-Italic.ttf b/.fonts/Vollkorn/Vollkorn-Italic.ttf Binary files differnew file mode 100644 index 0000000..d55c2ee --- /dev/null +++ b/.fonts/Vollkorn/Vollkorn-Italic.ttf diff --git a/.fonts/Vollkorn/Vollkorn-Regular.ttf b/.fonts/Vollkorn/Vollkorn-Regular.ttf Binary files differnew file mode 100644 index 0000000..a913a1b --- /dev/null +++ b/.fonts/Vollkorn/Vollkorn-Regular.ttf diff --git a/.fonts/convert.pe b/.fonts/convert.pe new file mode 100755 index 0000000..6fca738 --- /dev/null +++ b/.fonts/convert.pe @@ -0,0 +1,3 @@ +#!fontforge +Open($1) +Generate($1:r + ".otf") diff --git a/.fonts/ubuntu-font-family-0.80/CONTRIBUTING.txt b/.fonts/ubuntu-font-family-0.80/CONTRIBUTING.txt new file mode 100644 index 0000000..15bdc0c --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/CONTRIBUTING.txt @@ -0,0 +1,21 @@ +The Ubuntu Font Family is very long-term endeavour, and the first time +that a professionally-designed font has been funded specifically with +the intent of being an on-going community expanded project: + + http://font.ubuntu.com/ + +Development of the Ubuntu Font Family is undertaken on Launchpad: + + http://launchpad.net/ubuntu-font-family/ + +and this is where milestones, bug management and releases are handled. + +Contributions are welcomed. Your work will be used on millions of +computers every single day! Following the initial bootstrapping of +Latin, Cyrillic, Greek, Arabic and Hebrew expansion will be undertaken +by font designers from the font design and Ubuntu communities. + +To ensure that the Ubuntu Font Family can be re-licensed to future +widely-used libre font licences, copyright assignment is being required: + + https://launchpad.net/~uff-contributors diff --git a/.fonts/ubuntu-font-family-0.80/FONTLOG.txt b/.fonts/ubuntu-font-family-0.80/FONTLOG.txt new file mode 100644 index 0000000..35beb4f --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/FONTLOG.txt @@ -0,0 +1,274 @@ +This is the FONTLOG file for the Ubuntu Font Family and attempts to follow +the recommendations at: http://scripts.sil.org/OFL-FAQ_web#43cecb44 + + +Overview + +The new Ubuntu Font Family was started to enable the personality of +Ubuntu to be seen and felt in every menu, button and dialog. +The typeface is sans-serif, uses OpenType features and is manually +hinted for clarity on desktop and mobile computing screens. + +The scope of the Ubuntu Font Family includes all the languages used by +the various Ubuntu users around the world in tune with Ubuntu's +philosophy which states that every user should be able to use their +software in the language of their choice. So the Ubuntu Font Family +project will be extended to cover many more written languages. + + +History + +The Ubuntu Font Family has been creating during 2010 and 2011. As of +September 2011 coverage is provided for Latin, Cyrillic and Greek across +Regular, Italic, Bold and Bold-Italic. + + +ChangeLog + +2011-09-22 (Paul Sladen) Ubuntu Font Family version 0.80 + + [Vincent Connare/Dalton Maag] + * Wish for addition of a monospaced member to the family (LP: #640382) + * Mono: No hinting yet - Ubuntu Beta Mono font looks jagged in + Netbeans and terrible with ClearType (LP: #820493) + * Emacs: choosing normal monospace font in Emacs but gives bold-italic + (LP: #791076) + * PUA: ensure that Ubuntu Circle of Friends logo is full size: (LP: #853855) + + U+E0FF becomes large size in proportionals, remains small width in + monospaces + + U+F0FF becomes small size (proportionals only) + + U+F200 is full ubuntu logomark (proportionals only) + + [Paul Sladen] + * Monospace: Patch Family Name to be "Ubuntu Mono" + * Monospace: Patch U+EFFD version debugging glyph to be '0.8' + + [Cody Boisclair] + * Monospace: Force .null HDMX advance to 500 + * Monospace: Remap ASCII box-drawing characters (LP: #788757) + + [Júlio Reis] + * Date corrections to 'FONTLOG' (LP: #836595) + +2011-03-08 (Paul Sladen) Ubuntu Font Family version 0.71.2 + + * (Production) Adjust Medium WeightClass to 500 (Md, MdIt) (LP: #730912) + +2011-03-07 (Paul Sladen) Ubuntu Font Family version 0.71.1 + + * (Design) Add Capitalised version of glyphs and kern. (Lt, LtIt, + Md, MdIt) DM (LP: #677446) + * (Design) Re-space and tighen Regular and Italic by amount specified + by Mark Shuttleworth (minus 4 FUnits). (Rg, It) (LP: #677149) + * (Design) Design: Latin (U+0192) made straight more like l/c f with + tail (LP: #670768) + * (Design) (U+01B3) should have hook on right, as the lowercase + (U+01B4) (LP: #681026) + * (Design) Tail of Light Italic germandbls, longs and lowercase 'f' + to match Italic/BoldItalic (LP: #623925) + * (Production) Update <case> feature (Lt, LtIt, Md, MdIt). DM + (LP: #676538, #676539) + * (Production) Remove Bulgarian locl feature for Italics. (LP: #708578) + * (Production) Update Description information with new string: + "The Ubuntu Font Family are libre fonts funded by Canonical Ltd + on behalf of the Ubuntu project. The font design work and + technical implementation is being undertaken by Dalton Maag. The + typeface is sans-serif, uses OpenType features and is manually + hinted for clarity on desktop and mobile computing screens. The + scope of the Ubuntu Font Family includes all the languages used + by the various Ubuntu users around the world in tune with + Ubuntu's philosophy which states that every user should be able + to use their software in the language of their choice. The + project is ongoing, and we expect the family will be extended to + cover many written languages in the coming years." + (Rg, It, Bd, BdIt, Lt, LtIt, Md, MdIt) (LP: #690590) + * (Production) Pixel per em indicator added at U+F000 (Lt, LtIt, Md, + MdIt) (LP: #615787) + * (Production) Version number indicator added at U+EFFD (Lt, LtIt, Md, + MdIt) (LP: #640623) + * (Production) fstype bit set to 0 - Editable (Lt, LtIt, Md, MdIt) + (LP: #648406) + * (Production) Localisation of name table has been removed because + of problems with Mac OS/X interpretation of localisation. DM + (LP: #730785) + * (Hinting) Regular '?' dot non-circular (has incorrect control + value). (LP: #654336) + * (Hinting) Too much space after latin capital 'G' in 13pt + regular. Now reduced. (LP: #683437) + * (Hinting) Balance Indian Rupee at 18,19pt (LP: #662177) + * (Hinting) Make Regular '£' less ambiguous at 13-15 ppm (LP: #685562) + * (Hinting) Regular capital 'W' made symmetrical at 31 ppem (LP: #686168) + +2010-12-14 (Paul Sladen) Ubuntu Font Family version 0.70.1 + + Packaging, rebuilt from '2010-12-08 UbuntuFontsSourceFiles_070.zip': + * (Midstream) Fstype bit != 0 (LP: #648406) + * (Midstream) Add unit test to validate fstype bits (LP: #648406) + * (Midstream) Add unit test to validate licence + +2010-12-14 (Paul Sladen) Ubuntu Font Family version 0.70 + + Release notes 0.70: + * (Design) Add Capitalised version of glyphs and kern. (Rg, It, Bd, + BdIt) DM (LP: #676538, #677446) + * (Design) Give acute and grave a slight upright move to more match + the Hungarian double acute angle. (Rg, It, Bd, BdIt) (LP: #656647) + * (Design) Shift Bold Italic accent glyphs to be consistent with the + Italic. (BdIt only) DM (LP: #677449) + * (Design) Check spacing and kerning of dcaron, lcaron and + tcaron. (Rg, It, Bd, BdIt) (LP: #664722) + * (Design) Add positive kerning to () {} [] to open out the + combinations so they are less like a closed box. (Rg, It, Bd, + BdIt) (LP: #671228) + * (Design) Change design of acute.asc and check highest points (Bd + and BdIt only) DM + * (Production) Update <case> feature. DM (LP: #676538, #676539) + * (Production) Remove Romanian locl feature. (Rg, It, Bd, BdIt) + (LP: #635615) + * (Production) Update Copyright information with new + strings. "Copyright 2010 Canonical Ltd. Licensed under the Ubuntu + Font Licence 1.0" Trademark string "Ubuntu and Canonical are + registered trademarks of Canonical Ltd." (Rg, It, Bd, BdIt) DM + (LP: #677450) + * (Design) Check aligning of hyphen, math signs em, en, check braces + and other brackets. 16/11 (LP: #676465) + * (Production) Pixel per em indicator added at U+F000 (Rg, It, Bd, + BdIt) (LP: #615787) + * (Production) Version number indicator added at U+EFFD (Rg, It, Bd, + BdIt) (LP: #640623) + * (Production) fstype bit set to 0 - Editable (Rg, It, Bd, BdIt) + (LP: #648406) + +2010-10-05 (Paul Sladen) Ubuntu Font Family version 0.69 + + [Dalton Maag] + * Italic, + - Hinting on lowercase Italic l amended 19ppm (LP: #632451) + - Hinting on lowercase Italic u amended 12ppm (LP: #626376) + + * Regular, Italic, Bold, BoldItalic + - New Rupee Sign added @ U+20B9 (LP: #645987) + - Ubuntu Roundel added @ U+E0FF (LP: #651606) + + [Paul Sladen] + * All + - Removed "!ubu" GSUB.calt ligature for U+E0FF (LP: #651606) + + +Acknowledgements + +If you make modifications be sure to add your name (N), email (E), +web-address (if you have one) (W) and description (D). This list is in +alphabetical order. + +N: Ryan Abdullah +W: http://www.rayan.de/ +D: Arabic calligraphy and design in collaboration with Dalton Maag +D: Arabic testing + +N: Cody Boisclair +D: Monospace low-level debugging and patching ('fixboxdrawing-ft.py') + +N: Amélie Bonet +W: http://ameliebonet.com/ +D: Type design with Dalton Maag, particularly Ubuntu Mono and Ubuntu Condensed + +N: Jason Campbell +W: http://www.campbellgraphics.com/design/fonts.shtml +D: Monospace hinting (first phase) at Dalton Maag + +N: Pilar Cano +W: http://www.pilarcano.com/ +D: Hebrew realisation with Dalton Maag + +N: Fernando Caro +D: Type design with Dalton Maag, particularly Ubuntu Condensed + +N: Ron Carpenter +W: http://www.daltonmaag.com/ +D: Type design with Dalton Maag +D: Arabic realisation in collaboration with Ryan Abdullah + +N: Vincent Connare +W: http://www.connare.com/ +D: Type design, and engineering with Dalton Maag +D: Monospace hinting (second phase) at Dalton Maag + +N: Dave Crossland +E: dave@understandingfonts.com +W: http://understandingfonts.com/ +D: Documentation and libre licensing guidance +D: Google Webfont integration at Google + +N: Steve Edwards +W: http://www.madebymake.com/ +D: font.ubuntu.com revamp implementation with Canonical Web Team + +N: Iain Farrell +W: http://www.flickr.com/photos/iain +D: Ubuntu Font Family delivery for the Ubuntu UX team at Canonical + +N: Shiraaz Gabru +W: http://www.daltonmaag.com/ +D: Ubuntu Font Family project management at Dalton Maag + +N: Marcus Haslam +W: http://design.canonical.com/author/marcus-haslam/ +D: Creative inspiration + +N: Ben Laenen +D: Inspiration behind the pixels-per-em (PPEM) readout debugging glyph at U+F000 + (for this font the concept was re-implemented from scratch by Dalton-Maag) + +N: Bruno Maag +W: http://www.daltonmaag.com/ +D: Stylistic direction of the Ubuntu Font Family, as head of Dalton Maag + +N: Ivanka Majic +W: http://www.ivankamajic.com/ +D: Guiding the UX team and Cyrillic feedback + +N: David Marshall +W: http://www.daltonmaag.com/ +D: Technical guidance and administration at Dalton Maag + +N: Malcolm Wooden +W: http://www.daltonmaag.com/ +D: Font Engineering at Dalton Maag + +N: Lukas Paltram +W: http://www.daltonmaag.com/ +D: Type design with Dalton Maag + +N: Júlio Reis +D: Date fixes to the documentation + +N: Rodrigo Rivas +D: Indian Rupee Sign glyph + +N: Mark Shuttleworth +E: mark@ubuntu.com +W: http://www.markshuttleworth.com/ +D: Executive quality-control and funding + +N: Paul Sladen +E: ubuntu@paul.sladen.org +W: http://www.paul.sladen.org/ +D: Bug triaging, packaging at Ubuntu and Canonical + +N: Nicolas Spalinger +W: http://planet.open-fonts.org +D: Continuous guidance on libre/open font licensing, best practises in source + tree layout, release and packaging (pkg-fonts Debian team) + +N: Kenneth Wimer +D: Initial PPA packaging + +* Canonical Ltd is the primary commercial sponsor of the Ubuntu and + Kubuntu operating systems +* Dalton Maag are a custom type foundry headed by Bruno Maag + +For further documentation, information on contributors, source code +downloads and those involved with the Ubuntu Font Family, visit: + + http://font.ubuntu.com/ diff --git a/.fonts/ubuntu-font-family-0.80/LICENCE-FAQ.txt b/.fonts/ubuntu-font-family-0.80/LICENCE-FAQ.txt new file mode 100644 index 0000000..776a25e --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/LICENCE-FAQ.txt @@ -0,0 +1,177 @@ + Ubuntu Font Family Licensing FAQ + + Stylistic Foundations + + The Ubuntu Font Family is the first time that a libre typeface has been + designed professionally and explicitly with the intent of developing a + public and long-term community-based development process. + + When developing an open project, it is generally necessary to have firm + foundations: a font needs to maintain harmony within itself even across + many type designers and writing systems. For the [1]Ubuntu Font Family, + the process has been guided with the type foundry Dalton Maag setting + the project up with firm stylistic foundation covering several + left-to-right scripts: Latin, Greek and Cyrillic; and right-to-left + scripts: Arabic and Hebrew (due in 2011). + + With this starting point the community will, under the supervision of + [2]Canonical and [3]Dalton Maag, be able to build on the existing font + sources to expand their character coverage. Ultimately everybody will + be able to use the Ubuntu Font Family in their own written languages + across the whole of Unicode (and this will take some time!). + + Licensing + + The licence chosen by any free software project is one of the + foundational decisions that sets out how derivatives and contributions + can occur, and in turn what kind of community will form around the + project. + + Using a licence that is compatible with other popular licences is a + powerful constraint because of the [4]network effects: the freedom to + share improvements between projects allows free software to reach + high-quality over time. Licence-proliferation leads to many + incompatible licences, undermining the network effect, the freedom to + share and ultimately making the libre movement that Ubuntu is a part of + less effective. For all kinds of software, writing a new licence is not + to be taken lightly and is a choice that needs to be thoroughly + justified if this path is taken. + + Today it is not clear to Canonical what the best licence for a font + project like the Ubuntu Font Family is: one that starts life designed + by professionals and continues with the full range of community + development, from highly commercial work in new directions to curious + beginners' experimental contributions. The fast and steady pace of the + Ubuntu release cycle means that an interim libre licence has been + necessary to enable the consideration of the font family as part of + Ubuntu 10.10 operating system release. + + Before taking any decision on licensing, Canonical as sponsor and + backer of the project has reviewed the many existing licenses used for + libre/open fonts and engaged the stewards of the most popular licenses + in detailed discussions. The current interim licence is the first step + in progressing the state-of-the-art in licensing for libre/open font + development. + + The public discussion must now involve everyone in the (comparatively + new) area of the libre/open font community; including font users, + software freedom advocates, open source supporters and existing libre + font developers. Most importantly, the minds and wishes of professional + type designers considering entering the free software business + community must be taken on board. + + Conversations and discussion has taken place, privately, with + individuals from the following groups (generally speaking personally on + behalf of themselves, rather than their affiliations): + * [5]SIL International + * [6]Open Font Library + * [7]Software Freedom Law Center + * [8]Google Font API + + Document embedding + + One issue highlighted early on in the survey of existing font licences + is that of document embedding. Almost all font licences, both free and + unfree, permit embedding a font into a document to a certain degree. + Embedding a font with other works that make up a document creates a + "combined work" and copyleft would normally require the whole document + to be distributed under the terms of the font licence. As beautiful as + the font might be, such a licence makes a font too restrictive for + useful general purpose digital publishing. + + The situation is not entirely unique to fonts and is encountered also + with tools such as GNU Bison: a vanilla GNU GPL licence would require + anything generated with Bison to be made available under the terms of + the GPL as well. To avoid this, Bison is [9]published with an + additional permission to the GPL which allows the output of Bison to be + made available under any licence. + + The conflict between licensing of fonts and licensing of documents, is + addressed in two popular libre font licences, the SIL OFL and GNU GPL: + * [10]SIL Open Font Licence: When OFL fonts are embedded in a + document, the OFL's terms do not apply to that document. (See + [11]OFL-FAQ for details. + * [12]GPL Font Exception: The situation is resolved by granting an + additional permission to allow documents to not be covered by the + GPL. (The exception is being reviewed). + + The Ubuntu Font Family must also resolve this conflict, ensuring that + if the font is embedded and then extracted it is once again clearly + under the terms of its libre licence. + + Long-term licensing + + Those individuals involved, especially from Ubuntu and Canonical, are + interested in finding a long-term libre licence that finds broad favour + across the whole libre/open font community. The deliberation during the + past months has been on how to licence the Ubuntu Font Family in the + short-term, while knowingly encouraging everyone to pursue a long-term + goal. + * [13]Copyright assignment will be required so that the Ubuntu Font + Family's licensing can be progressively expanded to one (or more) + licences, as best practice continues to evolve within the + libre/open font community. + * Canonical will support and fund legal work on libre font licensing. + It is recognised that the cost and time commitments required are + likely to be significant. We invite other capable parties to join + in supporting this activity. + + The GPL version 3 (GPLv3) will be used for Ubuntu Font Family build + scripts and the CC-BY-SA for associated documentation and non-font + content: all items which do not end up embedded in general works and + documents. + +Ubuntu Font Licence + + For the short-term only, the initial licence is the [14]Ubuntu Font + License (UFL). This is loosely inspired from the work on the SIL + OFL 1.1, and seeks to clarify the issues that arose during discussions + and legal review, from the perspective of the backers, Canonical Ltd. + Those already using established licensing models such as the GPL, OFL + or Creative Commons licensing should have no worries about continuing + to use them. The Ubuntu Font Licence (UFL) and the SIL Open Font + Licence (SIL OFL) are not identical and should not be confused with + each other. Please read the terms precisely. The UFL is only intended + as an interim license, and the overriding aim is to support the + creation of a more suitable and generic libre font licence. As soon as + such a licence is developed, the Ubuntu Font Family will migrate to + it—made possible by copyright assignment in the interium. Between the + OFL 1.1, and the UFL 1.0, the following changes are made to produce the + Ubuntu Font Licence: + * Clarification: + + 1. Document embedding (see [15]embedding section above). + 2. Apply at point of distribution, instead of receipt + 3. Author vs. copyright holder disambiguation (type designers are + authors, with the copyright holder normally being the funder) + 4. Define "Propagate" (for internationalisation, similar to the GPLv3) + 5. Define "Substantially Changed" + 6. Trademarks are explicitly not transferred + 7. Refine renaming requirement + + Streamlining: + 8. Remove "not to be sold separately" clause + 9. Remove "Reserved Font Name(s)" declaration + + A visual demonstration of how these points were implemented can be + found in the accompanying coloured diff between SIL OFL 1.1 and the + Ubuntu Font Licence 1.0: [16]ofl-1.1-ufl-1.0.diff.html + +References + + 1. http://font.ubuntu.com/ + 2. http://www.canonical.com/ + 3. http://www.daltonmaag.com/ + 4. http://en.wikipedia.org/wiki/Network_effect + 5. http://scripts.sil.org/ + 6. http://openfontlibrary.org/ + 7. http://www.softwarefreedom.org/ + 8. http://code.google.com/webfonts + 9. http://www.gnu.org/licenses/gpl-faq.html#CanIUseGPLToolsForNF + 10. http://scripts.sil.org/OFL_web + 11. http://scripts.sil.org/OFL-FAQ_web + 12. http://www.gnu.org/licenses/gpl-faq.html#FontException + 13. https://launchpad.net/~uff-contributors + 14. http://font.ubuntu.com/ufl/ubuntu-font-licence-1.0.txt + 15. http://font.ubuntu.com/ufl/FAQ.html#embedding + 16. http://font.ubuntu.com/ufl/ofl-1.1-ufl-1.0.diff.html diff --git a/.fonts/ubuntu-font-family-0.80/LICENCE.txt b/.fonts/ubuntu-font-family-0.80/LICENCE.txt new file mode 100644 index 0000000..ae78a8f --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/LICENCE.txt @@ -0,0 +1,96 @@ +------------------------------- +UBUNTU FONT LICENCE Version 1.0 +------------------------------- + +PREAMBLE +This licence allows the licensed fonts to be used, studied, modified and +redistributed freely. The fonts, including any derivative works, can be +bundled, embedded, and redistributed provided the terms of this licence +are met. The fonts and derivatives, however, cannot be released under +any other licence. The requirement for fonts to remain under this +licence does not require any document created using the fonts or their +derivatives to be published under this licence, as long as the primary +purpose of the document is not to be a vehicle for the distribution of +the fonts. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this licence and clearly marked as such. This may +include source files, build scripts and documentation. + +"Original Version" refers to the collection of Font Software components +as received under this licence. + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to +a new environment. + +"Copyright Holder(s)" refers to all individuals and companies who have a +copyright ownership of the Font Software. + +"Substantially Changed" refers to Modified Versions which can be easily +identified as dissimilar to the Font Software by users of the Font +Software comparing the Original Version with the Modified Version. + +To "Propagate" a work means to do anything with it that, without +permission, would make you directly or secondarily liable for +infringement under applicable copyright law, except executing it on a +computer or modifying a private copy. Propagation includes copying, +distribution (with or without modification and with or without charging +a redistribution fee), making available to the public, and in some +countries other activities as well. + +PERMISSION & CONDITIONS +This licence does not grant any rights under trademark law and all such +rights are reserved. + +Permission is hereby granted, free of charge, to any person obtaining a +copy of the Font Software, to propagate the Font Software, subject to +the below conditions: + +1) Each copy of the Font Software must contain the above copyright +notice and this licence. These can be included either as stand-alone +text files, human-readable headers or in the appropriate machine- +readable metadata fields within text or binary files as long as those +fields can be easily viewed by the user. + +2) The font name complies with the following: +(a) The Original Version must retain its name, unmodified. +(b) Modified Versions which are Substantially Changed must be renamed to +avoid use of the name of the Original Version or similar names entirely. +(c) Modified Versions which are not Substantially Changed must be +renamed to both (i) retain the name of the Original Version and (ii) add +additional naming elements to distinguish the Modified Version from the +Original Version. The name of such Modified Versions must be the name of +the Original Version, with "derivative X" where X represents the name of +the new work, appended to that name. + +3) The name(s) of the Copyright Holder(s) and any contributor to the +Font Software shall not be used to promote, endorse or advertise any +Modified Version, except (i) as required by this licence, (ii) to +acknowledge the contribution(s) of the Copyright Holder(s) or (iii) with +their explicit written permission. + +4) The Font Software, modified or unmodified, in part or in whole, must +be distributed entirely under this licence, and must not be distributed +under any other licence. The requirement for fonts to remain under this +licence does not affect any document created using the Font Software, +except any version of the Font Software extracted from a document +created using the Font Software may only be distributed under this +licence. + +TERMINATION +This licence becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF +COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER +DEALINGS IN THE FONT SOFTWARE. diff --git a/.fonts/ubuntu-font-family-0.80/README.txt b/.fonts/ubuntu-font-family-0.80/README.txt new file mode 100644 index 0000000..292d4ad --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/README.txt @@ -0,0 +1,15 @@ + ---------------------- + Ubuntu Font Family + ====================== + +The Ubuntu Font Family are a set of matching new libre/open fonts in +development during 2010--2011. The development is being funded by +Canonical Ltd on behalf the wider Free Software community and the +Ubuntu project. The technical font design work and implementation is +being undertaken by Dalton Maag. + +Both the final font Truetype/OpenType files and the design files used +to produce the font family are distributed under an open licence and +you are expressly encouraged to experiment, modify, share and improve. + + http://font.ubuntu.com/ diff --git a/.fonts/ubuntu-font-family-0.80/TRADEMARKS.txt b/.fonts/ubuntu-font-family-0.80/TRADEMARKS.txt new file mode 100644 index 0000000..d34265b --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/TRADEMARKS.txt @@ -0,0 +1,4 @@ +Ubuntu and Canonical are registered trademarks of Canonical Ltd. + +The licence accompanying these works does not grant any rights +under trademark law and all such rights are reserved. diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-B.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-B.ttf Binary files differnew file mode 100644 index 0000000..c0142fe --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-B.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-BI.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-BI.ttf Binary files differnew file mode 100644 index 0000000..12e4c7d --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-BI.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-C.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-C.ttf Binary files differnew file mode 100644 index 0000000..8d3e867 --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-C.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-L.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-L.ttf Binary files differnew file mode 100644 index 0000000..7b7ac7d --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-L.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-LI.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-LI.ttf Binary files differnew file mode 100644 index 0000000..e36de45 --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-LI.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-M.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-M.ttf Binary files differnew file mode 100644 index 0000000..443ec8b --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-M.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-MI.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-MI.ttf Binary files differnew file mode 100644 index 0000000..321eccf --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-MI.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-R.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-R.ttf Binary files differnew file mode 100644 index 0000000..45a038b --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-R.ttf diff --git a/.fonts/ubuntu-font-family-0.80/Ubuntu-RI.ttf b/.fonts/ubuntu-font-family-0.80/Ubuntu-RI.ttf Binary files differnew file mode 100644 index 0000000..6f819f6 --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/Ubuntu-RI.ttf diff --git a/.fonts/ubuntu-font-family-0.80/UbuntuMono-B.ttf b/.fonts/ubuntu-font-family-0.80/UbuntuMono-B.ttf Binary files differnew file mode 100644 index 0000000..7bd6665 --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/UbuntuMono-B.ttf diff --git a/.fonts/ubuntu-font-family-0.80/UbuntuMono-BI.ttf b/.fonts/ubuntu-font-family-0.80/UbuntuMono-BI.ttf Binary files differnew file mode 100644 index 0000000..6c5b8ba --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/UbuntuMono-BI.ttf diff --git a/.fonts/ubuntu-font-family-0.80/UbuntuMono-R.ttf b/.fonts/ubuntu-font-family-0.80/UbuntuMono-R.ttf Binary files differnew file mode 100644 index 0000000..fdd309d --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/UbuntuMono-R.ttf diff --git a/.fonts/ubuntu-font-family-0.80/UbuntuMono-RI.ttf b/.fonts/ubuntu-font-family-0.80/UbuntuMono-RI.ttf Binary files differnew file mode 100644 index 0000000..18f81a2 --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/UbuntuMono-RI.ttf diff --git a/.fonts/ubuntu-font-family-0.80/copyright.txt b/.fonts/ubuntu-font-family-0.80/copyright.txt new file mode 100644 index 0000000..7734070 --- /dev/null +++ b/.fonts/ubuntu-font-family-0.80/copyright.txt @@ -0,0 +1,5 @@ +Copyright 2010,2011 Canonical Ltd. + +This Font Software is licensed under the Ubuntu Font Licence, Version +1.0. https://launchpad.net/ubuntu-font-licence + diff --git a/.gitmodules b/.gitmodules index daa7271..943537f 100644 --- a/.gitmodules +++ b/.gitmodules @@ -31,3 +31,6 @@ [submodule "emacsen/haskell-mode"] path = emacsen/haskell-mode url = git@github.com:haskell/haskell-mode.git +[submodule ".fonts/Inconsolata-Hellenic"] + path = .fonts/Inconsolata-Hellenic + url = git://github.com/cosmix/Inconsolata-Hellenic.git |