diff options
| author | Ryan Kavanagh <rak@rak.ac> | 2021-12-13 17:17:25 -0500 |
|---|---|---|
| committer | Ryan Kavanagh <rak@rak.ac> | 2021-12-13 17:17:25 -0500 |
| commit | 4d34ea76dd72cc811cb1e40bc5f91dc74b3e3dc3 (patch) | |
| tree | 38ced096661c94646ab7c49a02011dec10f3a54c /fonts | |
| parent | dzen scripts are executable (diff) | |
update font handling
Diffstat (limited to 'fonts')
259 files changed, 2648 insertions, 0 deletions
diff --git a/fonts/Brill_Typeface_2.06/00_Brill_Fonts_Read_Me_First.txt b/fonts/Brill_Typeface_2.06/00_Brill_Fonts_Read_Me_First.txt new file mode 100644 index 0000000..077ac34 --- /dev/null +++ b/fonts/Brill_Typeface_2.06/00_Brill_Fonts_Read_Me_First.txt @@ -0,0 +1,45 @@ +BRILL FONTS END USER LICENSE AGREEMENT
+Version 2.06, October 31, 2014
+PREAMBLE
+BRILL owns all intellectual property in the Brill Font Package and in the accompanying documentation and help files (including any input method software). The Brill Font Package is licensed, not sold.
+
+This Brill Font License allows the licensed fonts to be used by individuals or by institutional customers for non-commercial purposes without charge. Commercial use of any kind, including the embedding of the fonts or part(s) of them in any Commercial Product not published by BRILL is prohibited unless prior written permission has been secured from BRILL; write to brill-typeface@brill.com should you want to acquire such a permission. None of these fonts may be redistributed to others, nor may they be sold, without prior written consent from BRILL.
+
+1. Definitions
+
+“BRILL” in all capitals refers to the limited liability company Koninklijke Brill NV, of Plantijnstraat 2, 2321 JC Leiden, the Netherlands.
+
+“Brill” in lowercase letters with a capital initial refers to the set of font files released by BRILL under the conditions stated in this license.
+
+“Brill Documentation” refers to the documentation accompanying the Brill fonts.
+
+“Brill Font Package” refers to the whole package consisting of the Brill font software, the Brill Documentation, and the Keyboards (when the latter are included in a specific release package). The Brill fonts are in .otf format, or CFF-Flavoured OpenType (separate and technically distinct Brill Web Fonts are also available).
+
+“Brill Web Fonts” refers to a separate and technically distinct set of Brill fonts in .woff or Web Open Font Format. These are not covered by this Brill Fonts End User License Agreement but by a separate Brill Web Fonts End User License Agreement.
+“Commercial Product” as used herein shall mean a physical or electronic document or data file or executable file created by Use of the Font Software which is offered for distribution to the general public (or to some subset of the general public) in exchange for a fee or other consideration. By way of illustration and not by way of limitation, Licensee may use the Brill Fonts for all scholarly and teaching activities; embed the fonts in a PDF document or the like that is published on Licensee’s website; install the fonts on a secure network as part of the purchase of a Brill electronic product for the sole purpose of displaying and/or printing Brill products. Examples of prohibited Commercial Use are, without limitation: embedding a Brill font in a document prepared for publishers other than BRILL; publication of PDF files, or of products printed from PDF files, which contain embedded Brill fonts, for a fee or other consideration. Open Access publications are also considered commercial products under the terms of this license.
+“Derivative Work” shall mean binary data based upon or derived from Font Software (or any portion of Font Software) in any form in which such binary data may be recast, transformed, or adapted including, but not limited to, binary data in any format into which Font Software may be converted.
+
+“Font Software” refers to the ‘Brill’ family of fonts, initially consisting of a roman and an italic font. A bold and a bold italic font will be added later.
+
+“Keyboards” refers to the keyboard input software (also known as input method software) which may or may not be included with the Font Software.
+“Licensee” is the person or institution that has agreed to abide by this Agreement and is therefore allowed to use the Font Software in accordance with this Agreement.
+“Secure Network” is a network (whether a standalone network or a virtual network within the Internet) which is only accessible to Authorized Users approved by the Licensee whose identity is authenticated at the time of log-in and periodically thereafter consistent with current best practice, and whose conduct is subject to regulation by the Licensee.
+“Use” of the Font Software shall occur when an individual is able to give commands (whether by keyboard or otherwise) that are followed by the Font Software, regardless of the location in which the Font Software resides.
+Licensee hereby agrees to the following:
+2. Licensee is bound by the Agreement and acknowledges that all Use (as defined herein) of the Font Software (as defined herein) supplied to Licensee by Brill is governed by the Agreement.
+3. Licensee is hereby granted a non-exclusive, non-assignable, non-transferable (except as expressly permitted herein) license to access the Font Software subject to all of the terms and conditions of the Agreement. Licensee has no rights to the Font Software other than as expressly set forth in the Agreement. Licensee agrees that BRILL owns all right, title and interest in and to the Font Software, its structure, organization, code, and related files, including all property rights therein such as copyright, design and trademarks rights. Licensee agrees that the Font Software, its structure, organization, code, and related files are valuable property of BRILL and that any intentional Use of the Font Software not expressly permitted by the Agreement constitutes a theft of valuable property. All rights not expressly granted in the Agreement are expressly reserved to BRILL. Licensee may not use the Font Software to produce and/or distribute a Commercial Product without a separate license from BRILL authorizing licensee to do so.
+
+PERMISSION & CONDITIONS
+4. Permission is hereby granted, free of charge, to use, copy and embed unmodified copies of the Font Software for non-commercial purposes, subject to the following conditions:
+
+5. Neither the Font Software nor any of its individual components nor the Keyboards nor the Brill Documentation may be sold or redistributed. The sole source of the font software is the BRILL website: http://www.brill.com/brill-typeface
+6. Licensee may install and Use the Font Software on no more than three computers designated for individual use by Licensee (for instance: licensee’s home, office, and laptop computers). If the Font Software is used as part of an electronic product purchased from BRILL, it may be installed on as many computers as are covered by the BRILL electronic product license. In no case may the Font Software be installed or Used on a server that can be accessed via the Internet or other external network system (a system other than a LAN). The font software may not be served to the Web by whatever mechanism: licensee may not link to (copies of) the Brill fonts through program instructions (including, but not limited to, Cascading Style Sheets), thereby causing a copy or copies of a Brill font or part of a Brill font to be transferred to a computer other than that of licensee. For such web use, a separate set of technically distinct Brill Web Fonts is available.
+7. Licensee may not embed Font Software in a Commercial Product without a separate written license from BRILL, and licensee may not embed Font Software in an electronic document or data file for any reason other than licensee’s own personal Use.
+8. Licensee may not alter Font Software for the purpose of adding any functionality which such Font Software did not have when delivered to Licensee by BRILL. If the Font Software contains embedding bits that limit the capabilities of the Font Software, licensee may not change or alter the embedding bits. Embedding the Font in HTML web pages is not allowed. Embedding the Font in Adobe PDFs is allowed only in read-only PDFs. Such documents may be viewable and printable, but must not be editable by third parties.
+9. Licensee may take a digitized copy of the Font Software used for a particular document, or Font Software embedded in an electronic document, to a commercial printer or service bureau for use by the printer or service in printing such document but only if the printer or service bureau represents to licensee that it will delete the Font Software after completion of the job for which it was needed.
+10. Licensee acknowledges that the Font Software is protected by the copyright and other intellectual property law and by international treaties. Licensee agrees to treat the Font Software as one would any other copyrighted material, such as a book. Licensee may not copy the Font Software, except as expressly provided herein. Any copies that licensee is expressly permitted to make pursuant to the Agreement must contain the same copyright, trademark, and other proprietary notices that appear on or in the Font Software. Licensee agrees not to adapt, modify, alter, translate, convert, or otherwise change the Font Software, or to create Derivative Works from Font Software or any portion thereof. Licensee further agrees not to use Font Software in connection with software and/or hardware which create Derivative Works of such Font Software. Licensee agrees not to reverse engineer, decompile, disassemble, or otherwise attempt to discover the source code of the Font Software, provided, however, that if licensee is located in a European Community member country or any other country which provides rights materially similar to the rights set forth in this proviso, licensee may reverse engineer or decompile the Font Software only to the extent that sufficient information is not available for the purpose of creating an interoperable software program (but only for such purpose and only to the extent that sufficient information is not provided by BRILL upon written request). Licensee agrees to use trademarks associated with the Font Software according to accepted trademark practice, including identification of the trademark owner’s name. Trademarks can only be used to identify printed output produced by the Font Software. Licensee may not change any trademark or trade name designation for the Font Software.
+11. Licensee may not rent, lease, sublicense, give, lend, or further distribute the Font Software, or any copy thereof, except as expressly provided herein.
+12. Licensee may make one back-up copy of Font Software for archival purposes only, and licensee shall retain exclusive custody and control over such copy. Upon termination of the Agreement, licensee must destroy the original and any and all copies of the Font Software.
+13. BRILL DOES NOT WARRANT THE PERFORMANCE OR RESULTS LICENSEE MAY OBTAIN BY USING THE FONT SOFTWARE. THE FOREGOING STATES THE SOLE AND EXCLUSIVE REMEDIES FOR BRILL’S BREACH OF WARRANTY. BRILL MAKES NO REPRESENTATIONS OR WARRANTIES, EXPRESS OR IMPLIED, AS TO NON-INFRINGEMENT OF THIRD PARTY RIGHTS, MERCHANTABILITY, OR FITNESS FOR ANY PARTICULAR PURPOSE. IN NO EVENT WILL BRILL BE LIABLE TO LICENSEE OR ANYONE ELSE (I) FOR ANY CONSEQUENTIAL, INCIDENTAL OR SPECIAL DAMAGES, INCLUDING WITHOUT LIMITATION ANY LOST PROFITS, LOST DATA, LOST BUSINESS OPPORTUNITIES, OR LOST SAVINGS, EVEN IF BRILL HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES, OR (II) FOR ANY CLAIM AGAINST LICENSEE BY ANY THIRD PARTY SEEKING SUCH DAMAGES EVEN IF BRILL HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
+14. The performance, construction and enforcement of this agreement shall be governed by the laws and statutes of the Netherlands. All disputes that may arise in connection with this present agreement or the breach thereof shall be settled exclusively by the competent court in The Hague, The Netherlands. The Agreement will not be governed by the United Nations Convention of Contracts for the International Sale of Goods, the application of which is expressly excluded. If any part of this Agreement is found void and unenforceable, it will not affect the validity of the balance of the Agreement, which shall remain valid and enforceable according to its terms.
+15. The Agreement shall automatically terminate upon failure by Licensee (or any authorized person or member of Licensee’s household or users of a Secure Network to whom Licensee has given permission to Use the Font Software) to comply with its terms. The termination of the Agreement shall not preclude BRILL from suing licensee for damages of any breach of the Agreement.
diff --git a/fonts/Brill_Typeface_2.06/Brill Bold 2.06 051.ttf b/fonts/Brill_Typeface_2.06/Brill Bold 2.06 051.ttf Binary files differnew file mode 100644 index 0000000..0a2acb8 --- /dev/null +++ b/fonts/Brill_Typeface_2.06/Brill Bold 2.06 051.ttf diff --git a/fonts/Brill_Typeface_2.06/Brill Bold Italic 2.06 051.ttf b/fonts/Brill_Typeface_2.06/Brill Bold Italic 2.06 051.ttf Binary files differnew file mode 100644 index 0000000..e38adb7 --- /dev/null +++ b/fonts/Brill_Typeface_2.06/Brill Bold Italic 2.06 051.ttf diff --git a/fonts/Brill_Typeface_2.06/Brill Italic 2.06 051.ttf b/fonts/Brill_Typeface_2.06/Brill Italic 2.06 051.ttf Binary files differnew file mode 100644 index 0000000..e08e717 --- /dev/null +++ b/fonts/Brill_Typeface_2.06/Brill Italic 2.06 051.ttf diff --git a/fonts/Brill_Typeface_2.06/Brill Roman 2.06 051.ttf b/fonts/Brill_Typeface_2.06/Brill Roman 2.06 051.ttf Binary files differnew file mode 100644 index 0000000..6b4fb6b --- /dev/null +++ b/fonts/Brill_Typeface_2.06/Brill Roman 2.06 051.ttf diff --git a/fonts/Brill_Typeface_2.06/Brill_Fonts_End_User_License_Agreement_2.06.pdf b/fonts/Brill_Typeface_2.06/Brill_Fonts_End_User_License_Agreement_2.06.pdf Binary files differnew file mode 100644 index 0000000..af654df --- /dev/null +++ b/fonts/Brill_Typeface_2.06/Brill_Fonts_End_User_License_Agreement_2.06.pdf diff --git a/fonts/Brill_Typeface_2.06/Brill_Typeface_User_Guide_2.06.pdf b/fonts/Brill_Typeface_2.06/Brill_Typeface_User_Guide_2.06.pdf Binary files differnew file mode 100644 index 0000000..b11b5b6 --- /dev/null +++ b/fonts/Brill_Typeface_2.06/Brill_Typeface_User_Guide_2.06.pdf diff --git a/fonts/Courier-Prime/.DS_Store b/fonts/Courier-Prime/.DS_Store Binary files differnew file mode 100644 index 0000000..5008ddf --- /dev/null +++ b/fonts/Courier-Prime/.DS_Store diff --git a/fonts/Courier-Prime/Courier Prime Bold Italic.ttf b/fonts/Courier-Prime/Courier Prime Bold Italic.ttf Binary files differnew file mode 100644 index 0000000..d4e7186 --- /dev/null +++ b/fonts/Courier-Prime/Courier Prime Bold Italic.ttf diff --git a/fonts/Courier-Prime/Courier Prime Bold.ttf b/fonts/Courier-Prime/Courier Prime Bold.ttf Binary files differnew file mode 100644 index 0000000..1b0888c --- /dev/null +++ b/fonts/Courier-Prime/Courier Prime Bold.ttf diff --git a/fonts/Courier-Prime/Courier Prime Italic.ttf b/fonts/Courier-Prime/Courier Prime Italic.ttf Binary files differnew file mode 100644 index 0000000..75a1343 --- /dev/null +++ b/fonts/Courier-Prime/Courier Prime Italic.ttf diff --git a/fonts/Courier-Prime/Courier Prime.ttf b/fonts/Courier-Prime/Courier Prime.ttf Binary files differnew file mode 100644 index 0000000..db4e6c1 --- /dev/null +++ b/fonts/Courier-Prime/Courier Prime.ttf diff --git a/fonts/Courier-Prime/LICENSE/OFL-FAQ.txt b/fonts/Courier-Prime/LICENSE/OFL-FAQ.txt new file mode 100644 index 0000000..bf1aca8 --- /dev/null +++ b/fonts/Courier-Prime/LICENSE/OFL-FAQ.txt @@ -0,0 +1,369 @@ +OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL)
+Version 1.1-update2 - 23 August 2010
+(See http://scripts.sil.org/OFL for updates)
+
+
+CONTENTS OF THIS FAQ
+1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
+2 USING OFL FONTS FOR WEB PAGES AND ONLINE WEBFONT SERVICES
+3 MODIFYING OFL-LICENSED FONTS
+4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL
+5 CHOOSING RESERVED FONT NAMES
+6 ABOUT THE FONTLOG
+7 MAKING CONTRIBUTIONS TO OFL PROJECTS
+8 ABOUT THE LICENSE ITSELF
+9 ABOUT SIL INTERNATIONAL
+APPENDIX A - FONTLOG EXAMPLE
+
+
+1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
+
+1.1 Can I use the fonts for a book or other print publication?
+Yes. You can mention the font and author in the book's colophon if you wish, but that is not required.
+
+1.2 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions?
+Yes! Fonts licensed under the OFL can be freely included alongside other software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are typically aggregated with, not merged into, existing software, there is little need to be concerned about incompatibility with existing software licenses. You may also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distribution CD/DVDs and online repositories. (Also see section 5.9 about rebuilding from source.)
+
+1.3 I want to distribute the fonts with my program. Does this mean my program also has to be Free/Libre and Open Source Software?
+No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well.
+
+1.4 Can I sell a software package that includes these fonts?
+Yes, you can do this with both the Original Version and a Modified Version of the fonts. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, games and entertainment software, mobile device applications, etc.
+
+1.5 Can I include the fonts on a CD of freeware or commercial fonts?
+Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself.
+
+1.6 Why won't the OFL let me sell the fonts alone?
+The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honour and respect their contribution!
+
+1.7 What about sharing OFL fonts with friends on a CD, DVD or USB stick?
+You are very welcome to share open fonts with friends, family and colleagues through removable media. Just remember to include the full font package, including any copyright notices and licensing information as available in OFL.txt. In the case where you sell the font, it has to come bundled with software.
+
+1.8 Can I host the fonts on a web site for others to use?
+Yes, as long as you make the full font package available. In most cases it may be best to point users to the main site that distributes the Original Version so they always get the most recent stable and complete version. See also discussion of webfonts in Section 2.
+
+1.9 Can I host the fonts on a server for use over our internal network?
+Yes. If the fonts are transferred from the server to the client computer by means that allow them to be used even if the computer is no longer attached to the network, the full package (copyright notices, licensing information, etc.) should be included.
+
+1.10 Does the full OFL license text always need to accompany the font?
+The only situation in which an OFL font can be distributed without the text of the OFL (either in a separate file or in font metadata), is when a font is embedded in a document or bundled within a program. In the case of metadata included within a font, it is legally sufficient to include only a link to the text of the OFL on http://scripts.sil.org/OFL, but we strongly recommend against this. Most modern font formats include metadata fields that will accept the full OFL text, and full inclusion increases the likelihood that users will understand and properly apply the license.
+
+1.11 What do you mean by 'embedding'? How does that differ from other means of distribution?
+By 'embedding' we mean inclusion of the font in a document or file in a way that makes extraction (and redistribution) difficult or clearly discouraged. In many cases the names of embedded fonts might also not be obvious to those reading the document, the font data format might be altered, and only a subset of the font - only the glyphs required for the text - might be included. Any other means of delivering a font to another person is considered 'distribution', and needs to be accompanied by any copyright notices and licensing information available in OFL.txt.
+
+1.12 So can I embed OFL fonts in my document?
+Yes, either in full or a subset. The restrictions regarding font modification and redistribution do not apply, as the font is not intended for use outside the document.
+
+1.13 Does embedding alter the license of the document itself?
+No. Referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL.
+
+1.14 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to author(s)?
+The few utilities that can extract fonts embedded in a PDF will typically output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult and time consuming than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document, please be considerate: use your common sense and respect the work of the author(s) and the licensing model.
+
+1.15 What about distributing fonts with a document? Within a compressed folder structure? Is it distribution, bundling or embedding?
+Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) which the license explicitly allows. In this case the font is conveyed unchanged whereas embedding a font usually transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its author(s).
+
+1.16 What about ebooks shipping with open fonts?
+The requirements differ depending on whether the fonts are linked, embedded or distributed (bundled or aggregated). Some ebook formats use web technologies to do font linking via @font-face, others are designed for font embedding, some use fonts distributed with the document or reading software, and a few rely solely on the fonts already present on the target system. The license requirements depend on the type of inclusion as discussed in 1.15.
+
+1.17 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM (Digital Rights Management) mechanisms?
+Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package, bundle or subscription plan. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL.
+
+1.18 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions?
+Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgement section. Please consider using the Original Versions of the fonts whenever possible.
+
+1.19 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement?
+The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a grey area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not.
+
+
+2 USING OFL FONTS FOR WEBPAGES AND ONLINE WEBFONT SERVICES
+
+2.1 Can I make webpages using these fonts?
+Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Your three best options:
+- referring directly in your stylesheet to open fonts which may be available on the user's system
+- providing links to download the full package of the font - either from your own website or from elsewhere - so users can install it themselves
+- using @font-face to distribute the font directly to browsers. This is recommended and explicitly allowed by the licensing model because it is distribution. The font file itself is distributed with other components of the webpage. It is not embedded in the webpage but referenced through a web address which will cause the browser to retrieve and use the corresponding font to render the webpage (see 1.11 and 1.15 for details related to embedding fonts into documents). As you take advantage of the @font-face cross-platform standard, be aware that webfonts are often tuned for a web environment and not intended for installation and use outside a browser. The reasons in favour of using webfonts are to allow design of dynamic text elements instead of static graphics, to make it easier for content to be localized and translated, indexed and searched, and all this with cross-platform open standards without depending on restricted extensions or plugins. You should check the CSS cascade (the order in which fonts are being called or delivered to your users) when testing.
+
+2.2 Can I make and use WOFF (Web Open Font Format) versions of OFL fonts?
+Yes, but you need to be careful. A change in font format normally is considered modification, and Reserved Font Names (RFNs) cannot be used. Because of the design of the WOFF format, however, it is possible to create a WOFF version that is not considered modification, and so would not require a name change. You are allowed to create, use and distribute a WOFF version of an OFL font without changing the font name, but only if:
+
+- the original font data remains unchanged except for WOFF compression, and
+- WOFF-specific metadata is either omitted altogether or present and includes, unaltered, the contents of all equivalent metadata in the original font.
+
+If the original font data or metadata is changed, or the WOFF-specific metadata is incomplete, the font must be considered a Modified Version, the OFL restrictions would apply and the name of the font must be changed: any RFNs cannot be used and copyright notices and licensing information must be included and cannot be deleted or modified. You must come up with a unique name - we recommend one corresponding to your domain or your particular web application. Be aware that only the original author(s) can use RFNs. This is to prevent collisions between a derivative tuned to your audience and the original upstream version and so to reduce confusion.
+
+Please note that most WOFF conversion tools and online services do not meet the two requirements listed above, and so their output must be considered a Modified Version. So be very careful and check to be sure that the tool or service you're using is compressing unchanged data and completely and accurately reflecting the original font metadata.
+
+2.3 What about other webfont formats such as EOT/EOTLite/CWT/etc.?
+In most cases these formats alter the original font data more than WOFF, and do not completely support appropriate metadata, so their use must be considered modification and RFNs may not be used.
+
+2.4 Can I make OFL fonts available through webfont online services?
+Yes, you are welcome to include OFL fonts in online webfont services as long as you properly meet all the conditions of the license. The origin and open status of the font should be clear among the other fonts you are hosting. Authorship, copyright notices and license information must be sufficiently visible to your users or subscribers so they know where the font comes from and the rights granted by the author(s). Make sure the font file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. Other font formats, including EOT/EOTLite/CWT and superior alternatives like WOFF, already provide fields for this information. Remember that if you modify the font within your library or convert it to another format for any reason the OFL restrictions apply and you need to change the names accordingly. Please respect the author's wishes as expressed in the OFL and do not misrepresent original designers and their work. Don't lump quality open fonts together with dubious freeware or public domain fonts. Consider how you can best work with the original designers and foundries, support their efforts and generate goodwill that will benefit your service. (See 1.17 for details related to URL-based access restrictions methods or DRM mechanisms).
+
+2.5 Can I make and publish CMS themes or templates that use OFL fonts? Can I include the fonts themselves in the themes or templates? Can I sell the whole package?
+Yes, you are very welcome to integrate open fonts into themes and templates for your preferred CMS and make them more widely available. Be aware that you can only sell the fonts and your CMS add-on as part of a software bundle. (See 1.4 for details and examples about selling bundles).
+
+2.6 Some webfont formats and services provide ways of "optimising" the font for a particular website or web application; is that allowed?
+Yes, it is permitted, but remember that these optimised versions are Modified Versions and so must follow OFL requirements like appropriate renaming. Also you need to bear in mind the other important parameters beyond compression, speed and responsiveness: you need to consider the audience of your particular website or web application, as choosing some optimisation parameters may turn out to be less than ideal for them. Subsetting by removing certain glyphs or features may seriously limit functionality of the font in various languages used by your users. It may also introduce degradation of quality in the rendering or specific bugs on the various platforms compared to the original font. In other words, remember that one person's optimised font may be another person's missing feature. Various advanced typographic features are also available through CSS and may provide the desired effects without the need to modify the font.
+
+
+3 MODIFYING OFL-LICENSED FONTS
+
+3.1 Can I change the fonts? Are there any limitations to what things I can and cannot change?
+You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could put additional information into it that covers your contribution.
+
+3.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine?
+Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license.
+
+3.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font?
+Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package.
+
+3.4 Can I pay someone to enhance the fonts for my use and distribution?
+Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefited from the contributions of others.
+
+3.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use?
+No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way beyond what the OFL permits and requires. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefited from the contributions of others.
+
+3.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available?
+No, but please consider sharing your improvements with others. You may find that you receive in return more than what you gave.
+
+3.7 If a trademark is claimed in the OFL font, does that trademark need to remain in modified fonts?
+Yes, any trademark notices must remain in any derivative fonts to respect trademark laws, but you may add any additional trademarks you claim, officially registered or not. For example if an OFL font called "Foo" contains a notice that "Foo is a trademark of Acme", then if you rename the font to "Bar" when creating a Modified Version, the new trademark notice could say "Foo is a trademark of Acme Inc. - Bar is a trademark of Roadrunner Technologies Ltd.". Trademarks work alongside the OFL and are not subject to the terms of the licensing agreement. Please refer to the appropriate trademark laws.
+
+
+4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL
+
+4.1 Can I use the SIL OFL for my own fonts?
+Yes! We heartily encourage everyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. The licensing model is used successfully by various organisations, both for-profit and not-for-profit, to release fonts of varying levels of scope and complexity.
+
+4.2 What do I have to do to apply the OFL to my font?
+If you want to release your fonts under the OFL, we recommend you do the following:
+
+4.2.1 Put your copyright and Reserved Font Names information at the beginning of the main OFL.txt file in place of the dedicated placeholders. Include this file in your release package.
+
+4.2.2 Put your copyright and the OFL text with Reserved Font Names into your font files (the copyright and license fields). A link to the OFL text on the OFL web site is an acceptable (but not recommended) alternative. Also add this information to any other components (build scripts, glyph databases, documentation, test files, etc). Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata.
+
+4.2.3 Write an initial FONTLOG.txt for your font and include it in the release package.
+
+4.2.4 Include the relevant practical documentation on the license by including the OFL-FAQ.txt in your package.
+
+4.3 Will you make my font OFL for me?
+We won't do the work for you. We can, however, try to answer your questions, unfortunately we do not have the resources to review and check your font packages for correct use of the OFL.
+
+4.4 Will you distribute my OFL font for me?
+No, although if the font is of sufficient quality and general interest we may include a link to it on our partial list of OFL fonts on the OFL web site. You may wish to consider other open font catalogs or hosting services, such as the Unifont Font Guide (http://unifont.org/fontguide), The League of Movable Type (http://theleagueofmovabletype.com), Kernest (http://kernest.com/) or the Open Font Library (http://openfontlibrary.org/), which despite the name has no direct relationship to the OFL or SIL. We do not endorse any particular catalog or hosting service - it is your responsibility to determine if the service is right for you.
+
+4.5 Why should I use the OFL for my fonts?
+- to meet needs for fonts that can be modified to support minority languages
+- to provide a legal and clear way for people to respect your work but still use it (and reduce piracy)
+- to involve others in your font project
+- to enable your fonts to be expanded with new weights and improved writing system/language support
+- to allow more technical font developers to add features to your design (such as OpenType and Graphite support)
+- to renew the life of an old font lying on your hard drive with no business model
+- to allow your font to be included in Libre Software operating systems like Ubuntu
+- to give your font world status and wide, unrestricted distribution
+- to educate students about quality typeface and font design
+- to expand your test base and get more useful feedback
+- to extend your reach to new markets when users see your metadata and go to your website
+- to get your font more easily into one of the webfont online services
+- to attract attention for your commercial fonts
+- to make money through webfont services
+- to make money by bundling fonts with applications
+- to make money adjusting and extending existing open fonts
+- to get a better chance that foundations/NGOs/charities/companies who commission fonts will pick you
+- to be part of a sharing design and development community
+- to give back and contribute to a growing body of font sources
+
+
+5 CHOOSING RESERVED FONT NAMES
+
+5.1 What are Reserved Font Names?
+These are font names, or portions of font names, that the author has chosen to reserve for use only with the Original Version of the font, or for Modified Version(s) created by the original author.
+
+5.2 Why can't I use the Reserved Font Names in my derivative font names? I'd like people to know where the design came from.
+The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Names ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name, be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. Any substitution and matching mechanism is outside the scope of the license.
+
+5.3 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name?
+Yes, this applies to the font menu name and other mechanisms that specify a font in a document. It would be fine, however, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement). Users who install derivatives (Modified Versions) on their systems should not see any of the original Reserved Font Names in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake one font for another and so expect features only another derivative or the Original Version can actually offer.
+
+5.4 Am I not allowed to use any part of the Reserved Font Names?
+You may not use individual words from the Reserved Font Names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute.
+
+5.5 So what should I, as an author, identify as Reserved Font Names?
+Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River". You also need to be very careful about reserving font names which are already linked to trademarks (whether registered or not) which you do not own.
+
+5.6 Do I, as an author, have to identify any Reserved Font Names?
+No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified Versions.
+
+5.7 Are any names (such as the main font name) reserved by default?
+No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s).
+
+5.8 Is there any situation in which I can use Reserved Font Names for a Modified Version?
+The Copyright Holder(s) can give certain trusted parties the right to use any of the Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion.
+
+5.9 Do font rebuilds require a name change? Do I have to change the name of the font when my packaging workflow includes a full rebuild from source?
+Yes, all rebuilds which change the font data and the smart code are Modified Versions and the requirements of the OFL apply: you need to respect what the Author(s) have chosen in terms of Reserved Font Names. However if a package (or installer) is simply a wrapper or a compressed structure around the final font - leaving them intact on the inside - then no name change is required. Please get in touch with the author(s) and copyright holder(s) to inquire about the presence of font sources beyond the final font file(s) and the recommended build path. That build path may very well be non-trivial and hard to reproduce accurately by the maintainer. If a full font build path is made available by the upstream author(s) please be aware that any regressions and changes you may introduce when doing a rebuild for packaging purposes is your responsibility as a package maintainer since you are effectively creating a separate branch. You should make it very clear to your users that your rebuilt version is not the canonical one from upstream.
+
+5.10 Can I add other Reserved Font Names when making a derivative font?
+Yes. List your additional Reserved Font Names after your additional copyright statement, as indicated with example placeholders at the top of the OFL.txt file. Be sure you do not remove any exiting RFNs but only add your own.
+
+
+6 ABOUT THE FONTLOG
+
+6.1 What is this FONTLOG thing exactly?
+It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge authors and other contributors. Please use it!
+
+6.2 Is the FONTLOG required?
+It is not a requirement of the license, but we strongly recommend you have one.
+
+6.3 Am I required to update the FONTLOG when making Modified Versions?
+No, but users, designers and other developers might get very frustrated with you if you don't. People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. There are utilities that can help create and maintain a FONTLOG, such as the FONTLOG support in FontForge.
+
+6.4 What should the FONTLOG look like?
+It is typically a separate text file (FONTLOG.txt), but can take other formats. It commonly includes these four sections:
+
+- brief header describing the FONTLOG itself and name of the font family
+- Basic Font Information - description of the font family, purpose and breadth
+- ChangeLog - chronological listing of changes
+- Acknowledgements - list of authors and contributors with contact information
+
+It could also include other sections, such as: where to find documentation, how to make contributions, information on contributing organizations, source code details, and a short design guide. See Appendix A for an example FONTLOG.
+
+
+7 MAKING CONTRIBUTIONS TO OFL PROJECTS
+
+7.1 Can I contribute work to OFL projects?
+In many cases, yes. It is common for OFL fonts to be developed by a team of people who welcome contributions from the wider community. Contact the original authors for specific information on how to participate in their projects.
+
+7.2 Why should I contribute my changes back to the original authors?
+It would benefit many people if you contributed back in response to what you've received. Your contributions and improvements to the fonts and other components could be a tremendous help and would encourage others to contribute as well and 'give back'. You will then benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute.
+
+7.3 I've made some very nice improvements to the font. Will you consider adopting them and putting them into future Original Versions?
+Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes - the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea. Please follow the recommendations given by the author(s) in terms of preferred source formats and configuration parameters for sending contributions. If this is not indicated in a FONTLOG or other documentation of the font, consider asking them directly. Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting. Keep in mind that some kinds of changes (esp. hinting) may be technically difficult to integrate.
+
+7.4 How can I financially support the development of OFL fonts?
+It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version.
+
+
+8 ABOUT THE LICENSE ITSELF
+
+8.1 I see that this is version 1.1 of the license. Will there be later changes?
+Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL.
+
+8.2 Does this license restrict the rights of the Copyright Holder(s)?
+No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this.
+
+8.3 Is the OFL a contract or a license?
+The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license.
+
+8.4 I really like the terms of the OFL, but want to change it a little. Am I allowed to take ideas and actual wording from the OFL and put them into my own custom license for distributing my fonts?
+We strongly recommend against creating your very own unique open licensing model. Using a modified or derivative license will likely cut you off - along with the font(s) under that license - from the community of designers using the OFL, potentially expose you and your users to legal liabilities, and possibly put your work and rights at risk. The OFL went though a community and legal review process that took years of effort, and that review is only applicable to an unmodified OFL. The text of the OFL has been written by SIL (with review and consultation from the community) and is copyright (c) 2005-2010 SIL International. You may re-use the ideas and wording (in part, not in whole) in another non-proprietary license provided that you call your license by another unambiguous name, that you do not use the preamble, that you do not mention SIL and that you clearly present your license as different from the OFL so as not to cause confusion by being too similar to the original. If you feel the OFL does not meet your needs for an open license, please contact us.
+
+8.5 Can I translate the license and the FAQ into other languages?
+SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and its use. Making the license very clear and readable has been a key goal for the OFL, but we know that people understand their own language best.
+
+If you are an experienced translator, you are very welcome to translate the OFL and OFL-FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems.
+
+SIL gives permission to publish unofficial translations into other languages provided that they comply with the following guidelines:
+
+- Put the following disclaimer in both English and the target language stating clearly that the translation is unofficial:
+
+"This is an unofficial translation of the SIL Open Font License into <language_name>. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text. However, we recognize that this unofficial translation will help users and designers not familiar with English to better understand and use the OFL. We encourage designers who consider releasing their creation under the OFL to read the OFL-FAQ in their own language if it is available. Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying OFL-FAQ."
+
+- Keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion.
+
+If you start such a unofficial translation effort of the OFL and OFL-FAQ please let us know.
+
+
+9 ABOUT SIL INTERNATIONAL
+
+9.1 Who is SIL International and what do they do?
+SIL serves language communities worldwide, building their capacity for sustainable language development, by means of research, translation, training and materials development. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment.
+
+9.2 What does this have to do with font licensing?
+The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack), so SIL developed the SIL Open Font License with the help of the Free/Libre and Open Source Software community.
+
+9.3 How can I contact SIL?
+Our main web site is: http://www.sil.org/
+Our site about complex scripts is: http://scripts.sil.org/
+Information about this license (and contact information) is at: http://scripts.sil.org/OFL
+
+
+APPENDIX A - FONTLOG EXAMPLE
+
+Here is an example of the recommended format for a FONTLOG, although other formats are allowed.
+
+-----
+FONTLOG for the GlobalFontFamily fonts
+
+This file provides detailed information on the GlobalFontFamily Font Software. This information should be distributed along with the GlobalFontFamily fonts and any derivative works.
+
+Basic Font Information
+
+GlobalFontFamily is a Unicode typeface family that supports all languages that use the Latin script and its variants, and could be expanded to support other scripts.
+
+NewWorldFontFamily is based on the GlobalFontFamily and also supports Greek, Hebrew, Cyrillic and Armenian.
+
+More specifically, this release supports the following Unicode ranges...
+This release contains...
+Documentation can be found at...
+To contribute to the project...
+
+ChangeLog
+
+1 August 2008 (Tom Parker) GlobalFontFamily version 1.2.1
+- Tweaked the smart font code (Branch merged with trunk version)
+- Provided improved build and debugging environment for smart behaviours
+
+7 February 2007 (Pat Johnson) NewWorldFontFamily Version 1.3
+- Added Greek and Cyrillic glyphs
+
+7 March 2006 (Fred Foobar) NewWorldFontFamily Version 1.2
+- Tweaked contextual behaviours
+
+1 Feb 2005 (Jane Doe) NewWorldFontFamily Version 1.1
+- Improved build script performance and verbosity
+- Extended the smart code documentation
+- Corrected minor typos in the documentation
+- Fixed position of combining inverted breve below (U+032F)
+- Added OpenType/Graphite smart code for Armenian
+- Added Armenian glyphs (U+0531 -> U+0587)
+- Released as "NewWorldFontFamily"
+
+1 Jan 2005 (Joe Smith) GlobalFontFamily Version 1.0
+- Initial release
+
+Acknowledgements
+
+If you make modifications be sure to add your name (N), email (E), web-address (if you have one) (W) and description (D). This list is in alphabetical order.
+
+N: Jane Doe
+E: jane@university.edu
+W: http://art.university.edu/projects/fonts
+D: Contributor - Armenian glyphs and code
+
+N: Fred Foobar
+E: fred@foobar.org
+W: http://foobar.org
+D: Contributor - misc Graphite fixes
+
+N: Pat Johnson
+E: pat@fontstudio.org
+W: http://pat.fontstudio.org
+D: Designer - Greek & Cyrillic glyphs based on Roman design
+
+N: Tom Parker
+E: tom@company.com
+W: http://www.company.com/tom/projects/fonts
+D: Engineer - original smart font code
+
+N: Joe Smith
+E: joe@fontstudio.org
+W: http://joe.fontstudio.org
+D: Designer - original Roman glyphs
+
+Fontstudio.org is an not-for-profit design group whose purpose is...
+Foobar.org is a distributed community of developers...
+Company.com is a small business who likes to support community designers...
+University.edu is a renowed educational institution with a strong design department...
+-----
diff --git a/fonts/Courier-Prime/LICENSE/OFL.txt b/fonts/Courier-Prime/LICENSE/OFL.txt new file mode 100644 index 0000000..baff556 --- /dev/null +++ b/fonts/Courier-Prime/LICENSE/OFL.txt @@ -0,0 +1,94 @@ +Copyright (c) 2013, Quote-Unquote Apps (http://quoteunquoteapps.com),
+with Reserved Font Name Courier Prime. +
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/fonts/Courier-Prime/Read me.txt b/fonts/Courier-Prime/Read me.txt new file mode 100644 index 0000000..c49013f --- /dev/null +++ b/fonts/Courier-Prime/Read me.txt @@ -0,0 +1,44 @@ +ABOUT COURIER PRIME +=================== + +Courier Prime is a TrueType monospaced font designed specifically for screenplays. It was designed by Alan Dague-Greene for John August and released by Quote-Unquote Apps under the SIL Open Font License (OFL). + +Visit http://quoteunquoteapps.com/courierprime for more information and the latest updates. + +SIL Open Font License: http://scripts.sil.org/OFL + +INSTALLATION +============ + +Mac OS X: + +Select all the font files and double-click the selected files. Then, click 'Install Font' at the bottom of the preview window. + +Windows 7 & 8: + +The easiest way to install a font is to double-click on a font file to open the font preview and select 'Install'. + +Windows Vista: + +To install a TrueType or OpenType font on Windows Vista, right-click on the font file and then select 'Install'. You can also drag or paste a font into the Fonts Control Panel. + +Windows XP: + +1. From the 'Start' menu select 'Control Panel', then select the 'Appearance and Themes' category. + +2. Select 'Fonts' from the 'See Also' panel at the left of this screen. + +3. On the 'File' menu, select 'Install New Font...' + +4. Click the drive and folder that contain the fonts you want to add. + +5. To select more than one font to add, press and hold down the CTRL key, click the fonts you want, then click on 'OK'. + +For more information on installing fonts on Windows, visit this link: http://www.microsoft.com/typography/truetypeinstall.mspx + + +CHANGELOG +========= + +January 25, 2013 Courier Prime version 1.203 +- Initial release diff --git a/fonts/Fell/Fell Types License.txt b/fonts/Fell/Fell Types License.txt new file mode 100644 index 0000000..5f53e85 --- /dev/null +++ b/fonts/Fell/Fell Types License.txt @@ -0,0 +1 @@ +This Font Software is licensed under the SIL Open Font License, Version 1.1.
\ No newline at end of file diff --git a/fonts/Fell/IMFeDPit29C.otf b/fonts/Fell/IMFeDPit29C.otf Binary files differnew file mode 100644 index 0000000..69c2373 --- /dev/null +++ b/fonts/Fell/IMFeDPit29C.otf diff --git a/fonts/Fell/IMFeDPrm29C.otf b/fonts/Fell/IMFeDPrm29C.otf Binary files differnew file mode 100644 index 0000000..86ae43b --- /dev/null +++ b/fonts/Fell/IMFeDPrm29C.otf diff --git a/fonts/Fell/IMFeENit29C.otf b/fonts/Fell/IMFeENit29C.otf Binary files differnew file mode 100644 index 0000000..f0f8305 --- /dev/null +++ b/fonts/Fell/IMFeENit29C.otf diff --git a/fonts/Fell/IMFeENrm29C.otf b/fonts/Fell/IMFeENrm29C.otf Binary files differnew file mode 100644 index 0000000..c0f4118 --- /dev/null +++ b/fonts/Fell/IMFeENrm29C.otf diff --git a/fonts/Fell/IMFeFCit29C.otf b/fonts/Fell/IMFeFCit29C.otf Binary files differnew file mode 100644 index 0000000..92820c9 --- /dev/null +++ b/fonts/Fell/IMFeFCit29C.otf diff --git a/fonts/Fell/IMFeFCrm29C.otf b/fonts/Fell/IMFeFCrm29C.otf Binary files differnew file mode 100644 index 0000000..fa63edd --- /dev/null +++ b/fonts/Fell/IMFeFCrm29C.otf diff --git a/fonts/Fell/IMFeFlow1.otf b/fonts/Fell/IMFeFlow1.otf Binary files differnew file mode 100644 index 0000000..3563122 --- /dev/null +++ b/fonts/Fell/IMFeFlow1.otf diff --git a/fonts/Fell/IMFeFlow2.otf b/fonts/Fell/IMFeFlow2.otf Binary files differnew file mode 100644 index 0000000..e5166b4 --- /dev/null +++ b/fonts/Fell/IMFeFlow2.otf diff --git a/fonts/Fell/IMFeGPit29C.otf b/fonts/Fell/IMFeGPit29C.otf Binary files differnew file mode 100644 index 0000000..85ef6bb --- /dev/null +++ b/fonts/Fell/IMFeGPit29C.otf diff --git a/fonts/Fell/IMFeGPrm29C.otf b/fonts/Fell/IMFeGPrm29C.otf Binary files differnew file mode 100644 index 0000000..07558ba --- /dev/null +++ b/fonts/Fell/IMFeGPrm29C.otf diff --git a/fonts/Fell/IMFePIit29C.otf b/fonts/Fell/IMFePIit29C.otf Binary files differnew file mode 100644 index 0000000..47f99e9 --- /dev/null +++ b/fonts/Fell/IMFePIit29C.otf diff --git a/fonts/Fell/IMFePIrm29C.otf b/fonts/Fell/IMFePIrm29C.otf Binary files differnew file mode 100644 index 0000000..33862e9 --- /dev/null +++ b/fonts/Fell/IMFePIrm29C.otf diff --git a/fonts/Fell/IMFeTLrm29C.otf b/fonts/Fell/IMFeTLrm29C.otf Binary files differnew file mode 100644 index 0000000..d18ae92 --- /dev/null +++ b/fonts/Fell/IMFeTLrm29C.otf diff --git a/fonts/Inconsolata-Hellenic b/fonts/Inconsolata-Hellenic new file mode 160000 +Subproject 69cccaee77e3d0d39a9d8aa504c078e3be79fdf diff --git a/fonts/InconsolataHellenic.otf b/fonts/InconsolataHellenic.otf Binary files differnew file mode 100644 index 0000000..b440b62 --- /dev/null +++ b/fonts/InconsolataHellenic.otf diff --git a/fonts/Input_Fonts/ChangeLog.txt b/fonts/Input_Fonts/ChangeLog.txt new file mode 100644 index 0000000..3fdd6f3 --- /dev/null +++ b/fonts/Input_Fonts/ChangeLog.txt @@ -0,0 +1,26 @@ +INPUT +CHANGE LOG + +* v 1.2 2015-06-24 David Jonathan Ross <input@fontbureau.com> + * Removed ligatures and reset widths in Monospaced fonts so that they are strictly monospaced (all glyphs have same width value). This helps Input get recognized as monospaced by Ubuntu Terminal other apps. + * Fixed bug in Stylistic Set 20, fancy math characters. + +* v 1.1.5 2014-09-19 David Jonathan Ross <input@fontbureau.com> + + * Changed default line-height option to 1.2x. + * Added web customization support for alternate curly bracket glyphs and dotless zero glyphs. + * Added “Download with these settings” button to preview page, which will automatically fill out the customization form on the download page. + * Added live-updating URL to preview and download pages, which allows bookmarking and sharing of customization settings. + +* v 1.1 2014-09-03 David Jonathan Ross <input@fontbureau.com> + + * Added glyphs for [Powerline](https://github.com/Lokaltog/powerline) (U+E0A0–E0A2, U+E0B0–E0B3). + * Added glyph for high voltage sign character (U+26A1). + * Added alternate curly bracket glyphs for users who prefer simplified forms. + * Added alternate dotless zero glyph for users who don’t want a dot or slash in the zero. + * Added zero width space (U+200B) and zero width no-break space (U+FEFF). + * Added Stylistic Alternates {salt} OpenType feature. + +* v 1.0 2014-08-03 David Jonathan Ross <input@fontbureau.com> + + * Initial release. diff --git a/fonts/Input_Fonts/INSTALL.txt b/fonts/Input_Fonts/INSTALL.txt new file mode 100644 index 0000000..f26959a --- /dev/null +++ b/fonts/Input_Fonts/INSTALL.txt @@ -0,0 +1,75 @@ +INPUT +=============== + +## FONT INSTALLATION + +Once you have downloaded and unzipped your fonts, you can install them on your system. Please choose one of the methods below and follow the instructions to install your fonts. + +Using Font Management Software: + +Many users managing large collections of fonts use font management software, which allow them to activate and deactivate fonts, organize their font library, and provide various other features. + +If you are using font management software, follow the installation instructions that came with the software. Typically installation is as simple as dragging the font file into the font management software. + + +### Using Mac OS: + +Close all open applications, and locate the folder of fonts that you want to install in Finder. + +On Mac OS X, we recommend installing fonts using Font Book, an app. Simply drag the font files onto Font Book to install. + +Alternatively, you can drag the font files manually to the /User/Library/Fonts folder, or in versions prior to OS X, the /System/Fonts folder. + + +### Using Windows: + + 1. Navigate to Control Panel > Fonts. You can find the Control Panel in Start > Control Panel, or in versions prior to Windows XP, Start > Settings > Control Panel. + + 2. Choose File > Install New Font. + + 3. In the dialog, locate the fonts you want to install by choosing the drive and folder where the fonts are located. Once the folder is selected, the fonts will appear under List of Fonts. + + 4. From the List of Fonts, select the fonts that you would like to install (CTRL+A will select all fonts in the list). We recommend that you select Copy fonts to the Fonts folder. + + 5. When you see the font name in the Fonts folder, the font has been loaded and is ready for use. + +Alternatively, in recent versions of Windows, you can simply right-click on a font file and choose “Install” from the menu. + +### Linux + +Create a folder ~/.fonts and move all fonts to that directory. I recommend you copy only the *.ttf files to ~/.fonts, and run `fc-cache -fv`. + +### Using other operating systems: + +I have to admit, I don't have tons of experience installing fonts on other operating systems, but usually it’s as easy as putting the font files in the right folder. Please consult your the manual for your operating system. + + +## TROUBLESHOOTING + +Many font installation issues are due to issues in the operating system's font caches. If you find that the fonts are not appearing in the font menu, follow the instructions below to clear your caches. If you continue to have issues installing your fonts, please contact us for assistance. + + +### Clearing the Font Caches in Mac OS X: + +There are a variety of font cache files in Mac OS X, so we recommend you use a third party utility to clear them. + +FontNuke <http://www.jamapi.com/pr/fn/> is a free download that will clear font caches. Simply download the program, open it, and follow the instructions provided. Note that it requires you to restart your system. + +Many font management programs are also equipped to clear font caches. Please consult the instructions that came with that software. + +If you wish to clear the font caches manually, follow the instructions on this page: + +<http://www.glyphsapp.com/tutorials/eliminating-font-cache-problems> + +Or, for earlier versions of OS X: + +<http://helpx.adobe.com/x-productkb/global/troubleshoot-fonts-mac-os-x.html> + + +### Clearing the Font Cache in Windows: + + 1. Locate the font cache file by navigating to C:\Windows\System32\FNTCACHE.DAT. In versions prior to Windows XP, the cache file is C:\WINDOWS\ttfCache. + + 2. Delete this cache file by pressing the delete key or moving it to the Recycle Bin. + + 3. Restart your computer, and the cache file will be rebuilt.
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a/fonts/Input_Fonts/Input_Fonts/InputSerif/InputSerifNarrow/InputSerifNarrow-ThinItalic.ttf b/fonts/Input_Fonts/Input_Fonts/InputSerif/InputSerifNarrow/InputSerifNarrow-ThinItalic.ttf Binary files differnew file mode 100644 index 0000000..92faf37 --- /dev/null +++ b/fonts/Input_Fonts/Input_Fonts/InputSerif/InputSerifNarrow/InputSerifNarrow-ThinItalic.ttf diff --git a/fonts/Input_Fonts/Input_Fonts/SETTINGS.txt b/fonts/Input_Fonts/Input_Fonts/SETTINGS.txt new file mode 100644 index 0000000..44e17e0 --- /dev/null +++ b/fonts/Input_Fonts/Input_Fonts/SETTINGS.txt @@ -0,0 +1,12 @@ +INPUT +SETTINGS + +These fonts have been customized with the settings below. You can further customize +your fonts with the inputCustomize.py command-line tool found in this package, or +by re-downloading the fonts at <http://input.fontbureau.com/download>. + + + Alternates + --l=serifs_round + + Line Height: 1.2×
\ No newline at end of file diff --git a/fonts/Input_Fonts/LICENSE.txt b/fonts/Input_Fonts/LICENSE.txt new file mode 100644 index 0000000..4be006a --- /dev/null +++ b/fonts/Input_Fonts/LICENSE.txt @@ -0,0 +1,30 @@ +INPUT +FONT SOFTWARE LICENSE AGREEMENT + +This License Agreement is a legal Agreement between you and the publisher; please read it carefully. This Font Software was developed specially for use by software developers and includes special terms dedicated to promoting the use of the Font Software for such purposes. + +FREE PERSONAL USE. The Font Software is free for personal use. For the purposes of this License, Personal Use is defined as any use on your own computer that involves computer programming, software development, or the composition of plaintext documents in personal, professional, or non-professional contexts. It is also permitted to publish screenshots of your development environment while using the Font Software. + +SEPARATE PUBLISHING LICENSE. If you use the Input Font Software in a non-development context, or in any context where the Font Software or its appearance will be published or distributed, you will need to purchase the appropriate License. The uses noted below require a separate license: + + - Print and/or publishing of rich-text documents (such as PDF or Word) + - Websites, with fonts served via the WebType service + - Websites, with self-hosted fonts + - Embedding in Applications (“Apps”) + - Bundling of the Input Font with coding or text processing software + +LIMITED MODIFICATIONS ALLOWED. The Font Software contains a customizing script that will swaps out alternate glyphs, line-height, and other features that are not available in some coding applications. Modifications created by the customizing script included in the Font Software are permitted. Modifications created by third party software is permitted for Personal Use, but is otherwise not permitted. Distribution of personally modified versions of the Font Software is not permitted. + +NO REDISTRIBUTION. You may not distribute the Font Software to third parties for the purposes of permitting the display of the Font Software or allowing or facilitating redistribution of the Font Software irrespective of the terms of the redistribution. For the purposes of clarity you are not permitted to embed the Font Software or otherwise bundle the Font Software with another file. All such uses require the purchase of a special license. + +LIMITATION OF LIABILITY. Except as may be otherwise provided for herein, the Font Software and related documentation is provided “AS IS” and without warranty of any kind and Licensor EXPRESSLY DISCLAIMS ALL WARRANTIES, EXPRESS AND IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. LICENSOR DOES NOT WARRANT THAT THE OPERATION OF THE FONT SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT THE FONT SOFTWARE IS WITHOUT DEFECTS. THE FONT SOFTWARE IS NOT INTENDED AND WAS NOT DESIGNED OR MANUFACTURED FOR USE IN ANY CIRCUMSTANCES WHERE THE FAILURE OF THE FONT SOFTWARE COULD LEAD TO DEATH, PERSONAL INJURY, OR SEVERE PHYSICAL OR ENVIRONMENTAL DAMAGE. THE FONT SOFTWARE IS NOT FAULT TOLERANT AND IS NOT INTENDED FOR USE IN THE CONTROL OR OPERATION OF PROCESS CONTROL DEVICES OR EQUIPMENT FOR MANUFACTURING. UNDER NO CIRCUMSTANCES SHALL LICENSOR BE LIABLE TO LICENSEE OR ANY OTHER PARTY, WHETHER IN CONTRACT OR TORT (INCLUDING NEGLIGENCE) OR OTHERWISE, FOR ANY SPECIAL, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING LOST PROFITS, SAVINGS OR BUSINESS INTERRUPTION AS A RESULT OF THE USE OF THE FONT SOFTWARE EVEN IF NOTIFIED IN ADVANCE OF SUCH POSSIBILITY. Licensor’s liability to Licensee shall in no event exceed the cost of this Font Software License Agreement. + +COMPLIANCE WITH LAWS. Licensee shall be responsible for compliance with all laws, foreign and domestic, including but not limited to, all United States laws and regulations relating to the control of exports or the transfer of technology. + +ENTIRE AGREEMENT. This Agreement constitutes the entire understanding between the parties and supersedes all previous agreements, promises, representations and negotiations between the parties concerning the Font Software. + +GOVERNING LAW AND FORUM. The validity, construction, and performance of this agreement shall be governed by the laws of the State of New York without giving effect to its conflict of laws principles. Licensor and Licensee agree to settle all disputes, controversies, or claims relating to or arising from this Agreement in and specifically consent to personal jurisdiction of the state or federal district courts located in New York over any action arising out of or related to this Agreement. You agree that any breach of this License will cause irreparable harm to Licensor and that any damages are impossible to ascertain and that Licensor expressly shall be entitled to pursue equitable relief including, but not limited to, temporary restraining orders, and preliminary injunctions without the obligation of bond or other security in additions to other remedies under law. + +SEVERABILITY. If any provision of this Agreement is declared by a court of competent jurisdiction to be invalid, void or unenforceable, the remaining provisions of this Agreement shall continue in full force and effect, and the invalid provision shall be replaced by Licensor with a valid and enforceable provision that most closely effects the intent of the invalid provision. + +AUTHORIZED PARTIES. The parties, by their signatures or the downloading and installation of the Font Software represent that they are authorized to enter into this Agreement. diff --git a/fonts/Input_Fonts/README.txt b/fonts/Input_Fonts/README.txt new file mode 100644 index 0000000..6e95f6b --- /dev/null +++ b/fonts/Input_Fonts/README.txt @@ -0,0 +1,155 @@ +INPUT +=============== + +Input is a font family designed for computer programming, data, and text composition. It was designed by David Jonathan Ross between 2012 and 2014 and published by The Font Bureau. It contains a wide array of styles so you can fine-tune the typography that works best in your editing environment. Beyond the 168 styles, there is also a command line tool that allows you to customize line-spacing and certain letterforms within the fonts. + +You can find more information about the fonts at [http://input.fontbureau.com]. + +Please note: The entire Input font family is available at no cost for private use, which includes uses on your own computer in plaintext and code. You must purchase inexpensive publishing licenses in order to use Input in print, on the web, or in any publishing context. + + * Web licenses: [http://www.webtype.com/font/input-family] + * Print/desktop licenses: [http://www.fontbureau.com/fonts/Input/styles] + +Both print/desktop and annual web licenses start at: + * US$5 per style + * US$40 for a 14-style package of one width of Sans, Serif, or Mono + * US$80 for a 56-style package of all widths of Sans, Serif, or Mono + * US$200 for the entire 168-style series + +Read the enclosed LICENSE.txt for more information, and learn more here: [http://input.fontbureau.com/download] + +Questions? Comments? Thoughts about coding typography? Feel free to get in touch: [input@fontbureau.com] + +If you’d like to support this project, please purchase a license. + +## INSTALLATION + +Follow the directions in INSTALL.txt. + +## FAMILIES + +Input Mono is a monospaced typeface, where all characters occupy a fixed width. Input Sans and Serif are proportional typefaces that are designed with all of the features of a good monospace — generous spacing, large punctuation, and easily distinguishable characters — but without the limitations of a fixed width. + +## WIDTHS + +Input comes in four widths: Normal, Narrow, Condensed, and Compressed. + +I generally tend towards the wider widths, though the narrower widths can be handy if you use a smaller screen, diff multiple files side-by-side, or if your code usually has long lines. I use Input Mono Compressed in my terminal. + +Input Mono Narrow approximates the copyfit of a 10-pitch font, and can be used as an alternative to Courier at the same size. + +## WEIGHTS + +Input comes in seven weights: Thin, Extra Light, Light, Regular, Medium, Bold, Black. + +The Light and Medium weights were designed to be only slightly lighter than Regular and Bold, so that they can appear to be a similar weight when used with light text on a dark background. However, on some operating systems (like Mac OS), a dark background color can cause such significant haloing that the Extra Light or Thin weights may be a better approximation. + +In Input’s proportional styles, the Thin, Extra Light, Light, and Regular weights all share the same setwidths, as do the Medium and Bold. + +## ITALICS + +Input’s Italics are always drawn on the same widths as the correspoding upright style. Input Serif’s Italics have an alternative serif arrangement, which makes them especially distinctive and useful when setting apart blocks of text. + +## SIZE + +These fonts are primarily intended for small sizes in subpixel-rendered environments. The design’s target size is 11px, but the core weights (Light, Regular, Medium, and Bold) can go anywhere from 9px to 16px, and are manually hinted to improve performance at small sizes across operating systems. The extreme weights (Thin, Extra Light, and Black) styles are intended for 16px+. For use at display sizes, I recommend applying negative tracking and reducing the wordspace. + +## COMBINING STYLES + +I can’t predict which styles will work best for you in which combinations, which is why I offer them all. There are plenty of ways that you can mix and match these styles. I have been experimenting with setting my code as follows: + + * Sans for keywords, variables, and text + * Serif for strings, tags, and values + * Mono for working in a Terminal, or while editing code that uses wordspaces/tabs for alignment + * Bold for class and function definitions + * Italic for comments, special words (like ‘this’ or ‘self’), and secondary languages (like CSS within an HTML document) + +## ALTERNATES + +Input allows you to use OpenType features or a command-line interface to select your preferred form of easily confusable characters: + + * Stylistic Set 01: Schoolbook a + * Stylistic Set 02: Schoolbook g + + * Stylistic Set 03: i with top serif (Sans and Mono only) + * Stylistic Set 04: l with top serif (Sans and Mono only) + + * Stylistic Set 05: i with top and bottom serif (Sans and Mono only) + * Stylistic Set 06: l with top and bottom serif (Sans and Mono only) + + * Stylistic Set 07: i with full serif (Sans only) + * Stylistic Set 08: l with full serif (Sans only) + + * Stylistic Set 09: i with top serif and tail (Sans and Mono only) + * Stylistic Set 10: l with top serif and tail (Sans and Mono only) + + * Stylistic Set 11: Mid-height asterisk + * Stylistic Set 12: Straight braces + + * Stylistic Set 13: Undotted square zero + * Slashed Zero ('zero') + +Here are some examples of how you can customize Input to mimic the arrangement of these characters in common fonts: + + * Andale Mono + * OpenType features: ss03, ss06 + * inputCustomize.py: --i=topserif --l=serifs + * Consolas + * OpenType features: ss07, ss08, zero + * inputCustomize.py: --i=serif --l=serif --zero=slash + * Menlo + * OpenType features: ss02, ss07, ss10, ss11, zero + * inputCustomize.py: --g=ss --i=serif --l=serifs_round --asterisk=height --zero=slash + * Monaco + * OpenType features: ss01, ss02, ss05, ss06, zero + * inputCustomize.py: --a=ss --g=ss --i=serifs --l=serifs --zero=slash + * Source Code Pro: + * OpenType features: ss03, ss10 + * inputCustomize.py: --i=topserif --l=serifs_round --asterisk=height + +See more examples at [http://input.fontbureau.com/preview]. + +## CUSTOMIZATION + +inputCustomize.py is a command-line python script that allows you to easily make adjustments to your fonts. It requires TTX/FontTools <http://sourceforge.net/projects/fonttools/>. + +My hope is that Input will encourage developers of source code editors to include better typographic support, so that these issues don’t need to be addressed in such a hacky way. + +### Alternates + +Since most coding applications don’t offer support of OpenType features, this tool will swap out default glyphs for their alternate forms. See description of the alternates above. + +### Hack for line-spacing + +Since many coding applications don’t include the option to adjust line-spacing, you can modify the built-in linespacing of the fonts. + +### Hack for four-style families + +Since most coding applications don’t allow you to use more than one four-style family, Input allows you to assemble arbitrary four-style families. I use this in order to combine Sans and Serif, by slotting InputSerif–Regular into the Bold Italic position. + +Font family “Input” + * Regular: Input Sans Regular + * Italic: Input Sans Italic + * Bold: Input Sans Bold + * Bold Italic: Input Serif Regular + +If you would like to use multiple families at the same time, you can use the --suffix parameter to add a short suffix to Input’s menu names, which can help you distinguish different versions. + +### Examples + +You can use inputCustomize.py like this to work on all fonts in the current working directory: + + $ cd /path/to/the/fonts/you/want/to/edit + $ python /path/to/inputCustomize.py --dest=/path/to/output --lineHeight=1.5 --fourStyleFamily --a --g --i=topserif --l=serifs_round --zero --asterisk + +Or like this, to create a family out of any four styles: + + $ python /path/to/inputCustomize.py InputSans-Regular.ttf InputSans-Italic.ttf InputSans-Bold.ttf InputSerif-Regular.ttf --suffix=Hack --fourStyleFamily --a + +For more details, see the script’s help: + + $ python /path/to/inputCustomize.py -h + +## SPECIAL THANKS + +All typefaces I work on are collaborations, but this typeface especially benefitted from the feedback and advice of a large number of people. I’d like to thank all of Input’s beta testers who tried it on for size; Maria Doreuli, who consulted with me on the Cyrillic; Matthew Butterick, who gave helpful advice as a coder and as typeface designer; the folks at Paratype, who made the hinting of this massive family possible; Frank Grießhammer, who wrote the excellent box drawing character generator and suggested the Thin weights; and finally my coworkers who all played a role in making this typeface happen: David Berlow, Sam Berlow, Petr van Blokland, Paley Dreier, CJ Dunn, Cyrus Highsmith, Indra Kupferschmid, Chris Lewis, André Mora, Jill Pichotta, and Nick Sherman. Thank you so much. – David Jonathan Ross
\ No newline at end of file diff --git a/fonts/Input_Fonts/Scripts/_template_Bold.txt b/fonts/Input_Fonts/Scripts/_template_Bold.txt Binary files differnew file mode 100644 index 0000000..3db6755 --- /dev/null +++ b/fonts/Input_Fonts/Scripts/_template_Bold.txt diff --git a/fonts/Input_Fonts/Scripts/_template_BoldItalic.txt b/fonts/Input_Fonts/Scripts/_template_BoldItalic.txt Binary files differnew file mode 100644 index 0000000..d665af1 --- /dev/null +++ b/fonts/Input_Fonts/Scripts/_template_BoldItalic.txt diff --git a/fonts/Input_Fonts/Scripts/_template_Italic.txt b/fonts/Input_Fonts/Scripts/_template_Italic.txt Binary files differnew file mode 100644 index 0000000..2d7828e --- /dev/null +++ b/fonts/Input_Fonts/Scripts/_template_Italic.txt diff --git a/fonts/Input_Fonts/Scripts/_template_Regular.txt b/fonts/Input_Fonts/Scripts/_template_Regular.txt Binary files differnew file mode 100644 index 0000000..86d9766 --- /dev/null +++ b/fonts/Input_Fonts/Scripts/_template_Regular.txt diff --git a/fonts/Input_Fonts/Scripts/inputCustomize.py b/fonts/Input_Fonts/Scripts/inputCustomize.py new file mode 100644 index 0000000..703c4f2 --- /dev/null +++ b/fonts/Input_Fonts/Scripts/inputCustomize.py @@ -0,0 +1,274 @@ +#!/usr/bin/env python2.6 +# -*- coding: utf-8 -*- + +# Thanks to Jonas Kjellström and Cody Boisclair for their help in finding bugs in this script! + +import re +import os +import sys +import tempfile +from fontTools.ttLib import TTFont, newTable + +doc = """USAGE: python /path/to/inputCustomize.py [INPUT] [--dest=OUTPUT] [OPTIONS] +Use this script to customize one or more Input font files. +Requires TTX/FontTools: <http://sourceforge.net/projects/fonttools/> + +If INPUT is missing, it will customize all fonts in the Current Working Directory. +If OUTPUT is missing, it will overwrite the INPUT files. + +Options: + -h, --help Print this help text, and exit. + --lineHeight=<float> A multiplier for the font's built-in line-height. + --fourStyleFamily Only works when four INPUT files are provided. + Assigns Regular, Italic, Bold, and Bold Italic names to the + INPUT fonts in the order provided. + --suffix=<string> Append a suffix to the font names. Takes a string with no spaces. + --a=ss Swaps alternate single-story 'a' for the default double-story 'a' + --g=ss Swaps alternate single-story 'g' for the default double-story 'a' + --i=serif Swaps one of the alternate 'i' for the default in Sans/Mono + serifs + serifs_round + topserif + --l=serif Swaps one of the alternate 'l' for the default in Sans/Mono + serifs + serifs_round + topserif + --zero=slash Swaps the slashed zero for the default dotted zero + nodot Swaps a dotless zero for the default dotted zero + --asterisk=height Swaps the mid-height asterisk for the default superscripted asterisk + --braces=straight Swaps tamer straight-sided braces for the default super-curly braces + + Example 1: + $ cd /path/to/the/top/level/of/the/fonts/you/want/to/edit + $ python /path/to/InputCustomize.py --dest=/path/to/output --lineHeight=1.5 --suffix=Hack --fourStyleFamily --a=ss --g=ss --i=topserif --l=serifs_round --zero=slash --asterisk=height + + Example 2: + $ cd /path/to/the/top/level/of/the/fonts/you/want/to/edit + $ python /path/to/InputCustomize.py InputSans-Regular.ttf InputSans-Italic.ttf InputSans-Bold.ttf InputSerif-Regular.ttf --suffix=Hack --fourStyleFamily +""" + +class InputModifier(object): + """ + An object for manipulating Input, takes a TTFont. Sorry this is a little hacky. + """ + + def __init__(self, f): + self.f = f + + def changeLineHeight(self, lineHeight): + """ + Takes a line height multiplier and changes the line height. + """ + f = self.f + baseAsc = f['OS/2'].sTypoAscender + baseDesc = f['OS/2'].sTypoDescender + multiplier = float(lineHeight) + f['hhea'].ascent = round(baseAsc * multiplier) + f['hhea'].descent = round(baseDesc * multiplier) + f['OS/2'].usWinAscent = round(baseAsc * multiplier) + f['OS/2'].usWinDescent = round(baseDesc * multiplier)*-1 + + def swap(self, swap): + """ + Takes a dictionary of glyphs to swap and swaps 'em. + """ + f = self.f + glyphNames = f.getGlyphNames() + maps = { + 'a': {'a': 97, 'aring': 229, 'adieresis': 228, 'acyrillic': 1072, 'aacute': 225, 'amacron': 257, 'agrave': 224, 'atilde': 227, 'acircumflex': 226, 'aogonek': 261, 'abreve': 259}, + 'g': {'gdotaccent': 289, 'gbreve': 287, 'gcircumflex': 285, 'gcommaaccent': 291, 'g': 103}, + 'i': {'i': 105, 'iacute': 237, 'iogonek': 303, 'igrave': 236, 'itilde': 297, 'icircumflex': 238, 'imacron': 299, 'ij': 307, 'ibreve': 301, 'yicyrillic': 1111, 'idieresis': 239, 'icyrillic': 1110, 'dotlessi': 305,}, + 'l': {'l': 108, 'lcaron': 318, 'lcommaaccent': 316, 'lacute': 314, 'lslash': 322, 'ldot': 320}, + 'zero': {'zero': 48}, + 'asterisk': {'asterisk': 42}, + 'braces': {'braceleft': 123, 'braceright': 125} + } + swapMap = {} + for k, v in swap.items(): + for gname, u in maps[k].items(): + newGname = gname + '.salt_' + v + if newGname in glyphNames: + swapMap[gname] = newGname + for table in f['cmap'].tables: + cmap = table.cmap + for u, gname in cmap.items(): + if swapMap.has_key(gname): + cmap[u] = swapMap[gname] + + def fourStyleFamily(self, position, suffix=None): + """ + Replaces the name table and certain OS/2 values with those that will make a four-style family. + """ + f = self.f + source = TTFont(fourStyleFamilySources[position]) + + tf = tempfile.mkstemp() + pathToXML = tf[1] + source.saveXML(pathToXML, tables=['name']) + os.close(tf[0]) + + with open(pathToXML, "r") as temp: + xml = temp.read() + + # make the changes + if suffix: + xml = xml.replace("Input", "Input" + suffix) + + # save the table + with open(pathToXML, 'w') as temp: + temp.write(xml) + temp.write('\r') + + f['OS/2'].usWeightClass = source['OS/2'].usWeightClass + f['OS/2'].fsType = source['OS/2'].fsType + + # write the table + f['name'] = newTable('name') + f.importXML(pathToXML) + + def changeNames(self, suffix=None): + # this is a similar process to fourStyleFamily() + + tf = tempfile.mkstemp() + pathToXML = tf[1] + f.saveXML(pathToXML, tables=['name']) + os.close(tf[0]) + + with open(pathToXML, "r") as temp: + xml = temp.read() + + # make the changes + if suffix: + xml = xml.replace("Input", "Input" + suffix) + + # save the table + with open(pathToXML, 'w') as temp: + temp.write(xml) + temp.write('\r') + + # write the table + f['name'] = newTable('name') + f.importXML(pathToXML) + + + + + +baseTemplatePath = os.path.split(__file__)[0] +fourStyleFamilySources = [ + os.path.join(baseTemplatePath, '_template_Regular.txt'), + os.path.join(baseTemplatePath, '_template_Italic.txt'), + os.path.join(baseTemplatePath, '_template_Bold.txt'), + os.path.join(baseTemplatePath, '_template_BoldItalic.txt'), +] + +fourStyleFileNameAppend = [ 'Regular', 'Italic', 'Bold', 'BoldItalic' ] + +if __name__ == "__main__": + + # Get command-line arguments + go = True + arguments = sys.argv[1:] + paths = [] + swap = {} + lineHeight = None + fourStyleFamily = None + suffix = None + destBase = None + + + # parse arguments + for argument in arguments: + key = None + value = None + if len(argument.split('=')) == 2: + key, value = argument.split('=') + key = key[2:] + elif argument[0:2] == '--': + key = argument[2:] + value = True + elif argument == '-h': + print doc + go = False + else: + key = argument + value = None + # assign preference variables + if value is None: + paths.append(key) + elif key == 'lineHeight': + lineHeight = value + elif key == 'fourStyleFamily': + fourStyleFamily = True + elif key == 'suffix': + suffix = value + elif key == 'dest': + destBase = value + elif key == 'help': + print doc + go = False + else: + swap[key] = value + + # account for arguments where no value is given (for example, '--a' instead of '--a=ss') + if swap.get('a') is True: + swap['a'] = 'ss' + if swap.get('g') is True: + swap['g'] = 'ss' + if swap.get('i') is True: + swap['i'] = 'serifs' + if swap.get('l') is True: + swap['l'] = 'serifs' + if swap.get('zero') is True: + swap['zero'] = 'slash' + if swap.get('asterisk') is True: + swap['asterisk'] = 'height' + if swap.get('braces') is True: + swap['braces'] = 'straight' + + + # if specific paths were not supplied, collect them from the current directory + if not paths: + for root, dirs, files in os.walk(os.getcwd()): + for filename in files: + basePath, ext = os.path.splitext(filename) + if ext in ['.otf', '.ttf']: + paths.append(os.path.join(root, filename)) + + # if four paths were not supplied, do not process as a four-style family + if len(paths) != 4: + fourStyleFamily = None + + if go: + for i, path in enumerate(paths): + print os.path.split(path)[1] + f = TTFont(path) + c = InputModifier(f) + if lineHeight: + c.changeLineHeight(lineHeight) + if swap: + c.swap(swap) + if fourStyleFamily: + c.fourStyleFamily(i, suffix) + base, ext = os.path.splitext(path) + path = base + '_as_' + fourStyleFileNameAppend[i] + ext + elif suffix: + c.changeNames(suffix) + if destBase: + baseScrap, fileAndExt = os.path.split(path) + destPath = os.path.join(destBase, fileAndExt) + else: + destPath = path + try: + os.remove(destPath) + except: + pass + + # Take care of that weird "post" table issue, just in case. Delta#1 + try: + del f['post'].mapping['Delta#1'] + except: + pass + + f.save(destPath) + print 'done' diff --git a/fonts/Makefile b/fonts/Makefile new file mode 100644 index 0000000..13e1c08 --- /dev/null +++ b/fonts/Makefile @@ -0,0 +1,23 @@ +fonts = Brill_Typeface_2.06 \ + InconsolataHellenic.otf \ + ubuntu-font-family-0.80 \ + Courier-Prime \ + Fell \ + SourceCodePro_FontsOnly-1.017 \ + Vollkorn + +all: $(fonts) + +clean: + rm -f $(fonts) + +install: $(fonts) + [ -d ~/.fonts ] || mkdir -p ~/.fonts + rsync -av $^ .fonts/ + +# Requires fontforge +InconsolataHellenic.otf: Inconsolata-Hellenic/Inconsolata-Hellenic.sfd convert.pe + fontforge -script convert.pe $< + mv -f $(<:.sfd=.otf) $@ + +.PHONY: all clean install diff --git a/fonts/Quando/OFL.txt b/fonts/Quando/OFL.txt new file mode 100644 index 0000000..f1a20ac --- /dev/null +++ b/fonts/Quando/OFL.txt @@ -0,0 +1,97 @@ +Copyright (c) <dates>, <Copyright Holder> (<URL|email>),
+with Reserved Font Name <Reserved Font Name>.
+Copyright (c) <dates>, <additional Copyright Holder> (<URL|email>),
+with Reserved Font Name <additional Reserved Font Name>.
+Copyright (c) <dates>, <additional Copyright Holder> (<URL|email>).
+
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/fonts/Quando/Quando-Regular.ttf b/fonts/Quando/Quando-Regular.ttf Binary files differnew file mode 100644 index 0000000..707610a --- /dev/null +++ b/fonts/Quando/Quando-Regular.ttf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/LICENSE.txt b/fonts/SourceCodePro_FontsOnly-1.017/LICENSE.txt new file mode 100755 index 0000000..d154618 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/LICENSE.txt @@ -0,0 +1,93 @@ +Copyright 2010, 2012 Adobe Systems Incorporated (http://www.adobe.com/), with Reserved Font Name 'Source'. All Rights Reserved. Source is a trademark of Adobe Systems Incorporated in the United States and/or other countries.
+
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+
+This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/.DS_Store b/fonts/SourceCodePro_FontsOnly-1.017/OTF/.DS_Store Binary files differnew file mode 100644 index 0000000..5008ddf --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/.DS_Store diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Black.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Black.otf Binary files differnew file mode 100644 index 0000000..74ab5c1 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Black.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Bold.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Bold.otf Binary files differnew file mode 100644 index 0000000..96b4877 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Bold.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-ExtraLight.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-ExtraLight.otf Binary files differnew file mode 100644 index 0000000..19c16c7 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-ExtraLight.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Light.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Light.otf Binary files differnew file mode 100644 index 0000000..f624ee1 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Light.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Medium.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Medium.otf Binary files differnew file mode 100644 index 0000000..be70672 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Medium.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Regular.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Regular.otf Binary files differnew file mode 100644 index 0000000..8f031da --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Regular.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Semibold.otf b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Semibold.otf Binary files differnew file mode 100644 index 0000000..0dc6a39 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/OTF/SourceCodePro-Semibold.otf diff --git a/fonts/SourceCodePro_FontsOnly-1.017/ReadMe.html b/fonts/SourceCodePro_FontsOnly-1.017/ReadMe.html new file mode 100755 index 0000000..1aeb775 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/ReadMe.html @@ -0,0 +1,72 @@ +<!DOCTYPE html> +<html> +<head> + <title>Read Me File for Adobe® OpenType® Fonts</title> + <meta charset="utf-8" /> +</head> +<body bgcolor="white" link="#ce0000" alink="#ce0000" vlink="#9c6363"> + <h2><font color="#333333" +face="verdana,geneva,arial">Adobe® OpenType® Fonts</font></h2> + <p><font size="2" face="verdana,geneva,arial">Thank +you for licensing Adobe OpenType fonts. In order to ensure that you +have the most up-to-date product information, Adobe has posted <a +href="http://www.adobe.com/type/browser/OTReadMe.html">an OpenType +Read Me file</a> on the Adobe web site that contains information such +as minimum system requirements, technical support contact information +and software installation notes. We have also posted <a +href="http://www.adobe.com/type/browser/pdfs/OTGuide.pdf">an OpenType +User's Guide</a> in PDF format on the Adobe web site that can be +viewed online and downloaded to your computer. <P>If you have +licensed an Adobe OpenType Pro font, there may be additional PDF +documents, such as a specimen book, a glyph complement showing, and a +typeface-specific Read Me file, available on the typeface’s +product pages on the Adobe web site. These additional files may be +viewed online or downloaded to your computer.<P>To get you started +quickly, below are links to localized installation instructions for +your fonts. + +<h4>Installation Instructions</h4><hr> +<p lang=en><b>English</b><br> +Instructions for installing this font can be found online at <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p lang=fr><b>French / Français</b><br> +Le mode d'installation de cette police de caractère se trouve en +ligne à <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p lang=de><b>German / Deutsch</b><br> +Die Anweisungen zur Installation dieser Schriftart finden Sie online +unter <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p lang=it><b>Italian / Italiano</b><br> +Le istruzioni per l'installazione di questo font sono disponibili +online all'indirizzo <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p lang=es><b>Spanish / Español</b><br> +Las instrucciones para instalar esta fuente se pueden encontrar +online en <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p lang=nl><b>Dutch / Hollands</b><br> +De instructies voor de installatie van dit lettertype vindt u op <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p><b>Swedish / Svenska</b><br> +Anvisningar för hur det här teckensnittet installeras finns +online på <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p><b>Norwegian / Norsk</b><br> +Instruksjoner for installering av skrifttypen finnes online på +<a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p><b>Finnish / Suomi</b><br> +Ohjeet tämän fontin asentamiseen löytyvät +osoitteesta <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p><b>Danish / Dansk</b><br> +Du finder en vejledning i installation af denne skrifttype online +på adressen <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a>.</p> +<p lang=ja><b>Japanese / 日本語</b><br> +このフォントをインストールする手順は、オンラインで <a +href="http://www.adobe.com/type/browser/fontinstall/instructions_main.html">http://www.adobe.com/type/browser/fontinstall/instructions_main.html</a> +を参照してください。</p> +</body> +</html> diff --git a/fonts/SourceCodePro_FontsOnly-1.017/SourceCodeProReadMe.html b/fonts/SourceCodePro_FontsOnly-1.017/SourceCodeProReadMe.html new file mode 100755 index 0000000..a742d47 --- /dev/null +++ b/fonts/SourceCodePro_FontsOnly-1.017/SourceCodeProReadMe.html @@ -0,0 +1,269 @@ +<!DOCTYPE html> +<html> +<head> + <title>Read Me File for Source Code Pro</title> + <meta charset="utf-8" /> + <meta name="description" content= "Read Me file for Source Code Pro ... " /> + + + <title>Read Me</title> + +<style type="text/css" media="screen"> +/*********************** fonts ************************/ + body + {font-family: sans-serif; + font-weight: normal; + font-size: 10pt; + color: #000000; + margin: 0px; + background-color: white;} + + h1 + {display:inline; + font-family: sans-serif; + font-weight: normal; + color: #999999;} + + h2 + {display:inline; + font-size: 10pt; + font-family: sans-serif; + font-weight: bold; + color: #666666;} +/*********************** links ************************/ + + a:link + {color:#004477; + text-decoration:none; + margin: 0px 0px 0px 0px;} + + a:visited + {color:#6d7f8e; + text-decoration:none; + margin: 0px 0px 0px 0px;} + + a:hover + {color:#ff0000; + text-decoration:none; + margin: 0px 0px 0px 0px;} +/*********************** div tags ************************/ + #page + {float:left; + width:700px; + margin:20px 20px 20px 20px;} + + #subTitle + {background-color:#e3e3e3; + float:left; + width:700px; + border-bottom:solid #999999 1.0pt; + border-bottom-alt:solid #999999 .5pt; + padding:2px 0px 4px 0px;} + + #title + {background-color:#e3e3e3; + float:left; + width:700px; + border-bottom:solid #999999 1.0pt; + border-bottom-alt:solid #999999 .5pt; + padding:2px 0px 4px 0px;} + + #description + {float:left; + width:700px; + padding:15px 0px 15px 0px;} +.style6 {color: #666666} +.style7 {color: #FF0000} +</style> + </head> + +<body> + +<div id="page"> + <h1><span style="font-size:16pt">Source™ Code Pro</span></h1> + <br /> + + + <div id="description1"> + <p> This document contains late-breaking product information, updates, and troubleshooting tips.<br /> + <br /> + <a href="#A1">Minimum system requirements</a> <br /> + <a href="#A7">Font installation</a> <br /> + <a href="#A2">Family information</a> <br /> + <a href="#A3">Release Notes</a><br /> + <a href="#A8">Known issues</a> <br /> + <a href="#A9">Customer care</a> <br /> + <a href="#A10">Other resources</a> <br /> + <a href="#A12"></a><br /> + </p> + </div> + <div id="title"><a name="A1" id="A1"></a><h2 class="style6">Minimum system requirements</h2> + </div> + + <div id="description2"> + <p>Windows®</p> + <ul> + <li> Intel® Pentium,® Intel Centrino,® Intel Xeon,® or Intel Core™ Duo processor</li> + <li>Microsoft Windows 2000, Windows XP, Windows Vista™, or Windows 7<br /> + </li> + <li>16 MB of RAM (32 MB recommended)</li> + <li>Note: + Fonts from Font Folio 11 may also be installed under Microsoft Windows 98, Windows Millennium Edition, + and Windows NT® 4.0 with Service Pack 4 if you install Adobe Type Manager® (ATM™) Light + 4.1 on your system. If using a PostScript® printer on Windows 98/ME, AdobePS™ printer + driver 4.3 or later is recommended. If using a PostScript printer + on Windows NT 4.0, AdobePS printer driver 5.1.2 or later is recommended.</li> + </ul> + <p>Macintosh</p> + <ul> + <li> PowerPC® G4 or G5 or multicore Intel processor</li> + <li>Mac OS X</li> + <li>16 MB of RAM (32 MB recommended)</li> + <li>If using a PostScript printer, the latest AdobePS printer driver is recommended.</li> + <li>Note: Fonts from Font Folio 11 may be installed under Mac OS 8.6 through 9.2 with ATM Light 4.6, + and under Classic mode in Mac OS X with ATM Light 4.6.2.</li> + </ul> + </div> + + + <div id="title3"><h2><a name="A7" id="A7">Font installation</a></h2></div> + + <div id="description3"> + <p>For information on installing these fonts, see<span class="style7"> <a title="http://www.adobe.com/go/learn_fontinstall_en" href="http://www.adobe.com/go/learn_fontinstall_en">http://www.adobe.com/go/learn_fontinstall_en</a>.</span></p> + </div> + <div id="title4"><h2><a name="A2" id="A2">Family information</a></h2></div> + + <div id="description4"> + <p><strong>History</strong></p> + Source Code Pro was designed by Paul D. Hunt as a companion to Source Sans. This complementary family was adapted from the Source design due to a request to create a monospaced version for coding applications. Source Code preserves the design features and vertical proportions of Source Sans, but alters the glyph widths so that they are uniform across all glyphs and weights. Although this family was designed specifically for coding environments, for which a regular weight will typically suffice, Source Code has been made available in the same weight range as the corresponding Source Sans design.<br><br>Source Code Pro currently supports a wide range of languages using the Latin script, and includes all the characters in the Adobe Latin 4 glyph set. As an open source project, it is expected that incremental updates will be made over time to extend glyph set coverage and functionality. Future releases are expected to add support for Greek and Cyrillic scripts, italics, and other features documented on the project page at <A HREF="http://sourceforge.net/adobe/sourcesans/wiki/Home/">Open@Adobe</A>, which is hosted by SourceForge.net®. If you are interested in contributing to this open source project, please visit this project page for information on how to become involved. Source Code Pro can be adapted and redistributed according to the terms of the <A HREF="http://www.adobe.com/type/browser/legal/pdfs/OpenFontLicense.pdf">Open Font License (OFL) agreement</A>. + <p><strong>Menu Names And Style Linking</strong> </p> + +<p>In many Windows® applications, instead of every font appearing on +the menu, fonts are grouped into style-linked sets, and only the name of +the base style font for a set is shown in the menu. The italic and the +bold weight fonts of the set (if any) are not shown in the font menu, but can still be +accessed by selecting the base style font, and then using the italic +and bold style buttons. In this family, such programs will show only the +following base style font names in the menu:</p> +<p>Source Code Pro<br> +Source Code Pro Black<br> +Source Code Pro ExtraLight<br> +Source Code Pro Light<br> +Source Code Pro Medium<br> +Source Code Pro Semibold<br></p> +<p>The other fonts in this family must be selected by choosing a menu name +and then a style option following the guide below.</p> +<table border="0"> + +<tr> <td>Menu Name</td> <td> </td> <td>plus Style Option... </td> <td> </td> <td>selects this font</td> </tr> +<tr> <td>Source Code Pro</td> <td> </td> <td>[none]</td> <td> </td> <td>Source Code Pro Regular</td> </tr> +<tr> <td>Source Code Pro</td> <td> </td> <td>Bold</td> <td> </td> <td>Source Code Pro Bold</td> </tr> +<tr> <td> </td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> +<tr> <td>Source Code Pro ExtraLight</td> <td> </td> <td>[none]</td> <td> </td> <td>Source Code Pro ExtraLight</td> </tr> +<tr> <td> </td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> +<tr> <td>Source Code Pro Light</td> <td> </td> <td>[none]</td> <td> </td> <td>Source Code Pro Light</td> </tr> +<tr> <td> </td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> +<tr> <td>Source Code Pro Medium</td> <td> </td> <td>[none]</td> <td> </td> <td>Source Code Pro Medium</td> </tr> +<tr> <td> </td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> +<tr> <td>Source Code Pro Semibold</td> <td> </td> <td>[none]</td> <td> </td> <td>Source Code Pro Semibold</td> </tr> +<tr> <td> </td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> +<tr> <td>Source Code Pro Black</td> <td> </td> <td>[none]</td> <td> </td> <td>Source Code Pro Black</td> </tr> +<tr> <td> </td> <td> </td> <td> </td> <td> </td> <td> </td> </tr> + + + +</table> +<p>On the Mac OS, although each font appears as a separate entry on the +font menu, users may also select fonts by means of style links. +Selecting a base style font and then using the style links (as described +above for Windows) enhances cross-platform document compatibility with +many applications, such as Microsoft® Word and Adobe PageMaker®, +although it is unnecessary with more sophisticated Adobe applications +such as recent versions of Illustrator®, Photoshop® or +InDesign®.</p> +<p>One should not, however, select a base font which has no style-linked +variant, and then use the bold or italic styling button. Doing so will +either have no effect, or result in programmatic bolding or slanting of +the base font, which will usually produce inferior screen and print +results.</p> + </div> + <div id="title5"><h2><a name="A3" id="A3">Release Notes</a></h2></div> + <div id="description5"> + <p>For all fonts of family Source Code Pro : version 1.017 created on Wed Jan 11 11:26:00 2013.</p> +<p>version 1.017 created 2013/01/11</p> +<ul> +<li> Updates the design of the asterisk glyphs, bar, and broken bar.</li> +<li> Updates the hinting to the default asterisk in all styles.</li> +<li> Adds an new Medium weight to the font project.</li> +<li> Updates design of the following glyphs to center them within glyph height/width: + <ul> + <li> lighttrpldashhorzbxd</li> + <li> heavytrpldashhorzbxd</li> + <li> lighttrpldashvertbxd</li> + <li> heavytrpldashvertbxd</li> + <li> lightquaddashhorzbxd</li> + <li> heavyquaddashhorzbxd</li> + <li> lightquaddashvertbxd</li> + <li> heavyquaddashvertbxd</li> + <li> lightdbldashhorzbxd</li> + <li> heavydbldashhorzbxd</li> + <li> lightdbldashvertbxd</li> + <li> heavydbldashvertbxd</li> + </ul> +</li> +</ul> + <p>For all fonts of family Source Code Pro : version 1.013 created on Thu Dec 06 18:18:45 2012.</p> +<p>version 1.013 created 2012/12/06</p> +<ul> +<li> Updates design of asterisk and hyphen to accommodate coders' preferences.</li> +<li> Realigns math and punctuation glyphs.</li> +<li> Adds a stylistic set (ss01) for typographic alternates.</li> +<li> Adds a stylistic set (ss04) for alternate dollar sign.</li> +<li> Adds a small number of IPA characters.</li> +<li> Adds box drawing characters and block elements.</li> +</ul> +<p>version 1.010 created 2012/09/30</p> +<ul> +<li> Fixed TrueType hinting problem in Bold ampersand.</li> +</ul> +<p>version 1.009 created 2012/09/20</p> +<ul> +<li> First release.</li> +</ul> + </div> + <div id="title6"><h2><a name="A8" id="A8">Known issues</a></h2></div> + + <div id="description6"> + <ul> <li>Some glyphs in the font cannot be accessed unless you are using an OpenType-savvy application. + </li> +</ul> + </div> + + <div id="title7"><h2><a name="A9" id="A9"> Customer care</a></h2></div> + + <div id="description7"> + <p><strong>Customer Service</strong><br /> + Adobe Customer Service provides assistance with product information, sales, registration, and other non-technical issues. To find out how to contact Adobe Customer Service, please visit Adobe.com for your region or country and click on Contact.</p> + <p><strong>Support Plan Options and Technical Resources </strong><br /> + If you require technical assistance for your product, including information on free and paid support options and troubleshooting resources, more information is available at <a title="http://www.adobe.com/go/support/" href="http://www.adobe.com/go/support/"><span title="http://www.adobe.com/go/support/">http://www.adobe.com/go/support/</span></a>. Outside of North America, go to <a title="http://www.adobe.com/go/intlsupport/" href="http://www.adobe.com/go/intlsupport/"><span title="http://www.adobe.com/go/intlsupport/">http://www.adobe.com/go/intlsupport/</span></a>. Free troubleshooting resources include Adobe’s support knowledgebase, Adobe user-to-user forums and more.</p> + </div> + + <div id="title8"><h2><a name="A10" id="A10"> Other resources</a></h2></div> + + <div id="description8"> +<p><strong>Online Resources</strong><br /> +<a href="http://www.adobe.com/type">Adobe Type Showroom</a><br /> +<a href="http://www.adobe.com/type/family_readmes.html">Adobe Type Showroom - all current Read-Me files for our font families</a><br /> +<a href="http://www.adobe.com/support/forums/">User Forums</a><br /> +</p> +<p align="left"><br /> + </p> + </div> + <br /> + <br /> + © 2012 Adobe Systems Incorporated. All rights reserved. +</div> +</body> +</html> + +
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+––––––––––––––––––––––––––––––––––––––––– +This file provides detailed information on the Vollkorn Font Software. +This information should be distributed along with the Vollkorn fonts and any derivative works.
+
+ +Basic Font Information
+––––––––––––––––––––––––––––––––––––––––– +Vollkorn – the free and healthy typeface for bread and butter use, designed by Friedrich Althausen. +Vollkorn came into being as my first type designing attempt. I published the Regular on my site grafikfritze.de in 2005 under a Creative-Commons-License. Until the counter finally collapsed two years later it had been downloaded thousands of times and used for web and print matters. It intends to be a quiet, modest and well working text face for bread and butter use. Unlike examples in the book faces from the renaissance until today, it has dark and meaty serifs and a bouncing and healthy look. It might be used as body type as well as for headlines or titles. »Vollkorn« is German for »wholemeal« which refers to the old term »Brotschrift«. It stood for the small fonts for every day use in hand setting times. +Since 19 May 2010 Vollkorn is published under the OFL. +Original Designers address: Friedrich Althausen, friedrichalthausen.de, Weimar, Germany
+ + +ChangeLog
+––––––––––––––––––––––––––––––––––––––––– +(This should list both major and minor changes, most recent first.)
+ +15 September 2010 (Yanone) Vollkorn Version 2.1 +- fixing TT-Hinting: droping-out horizontal strokes at 14 px + +07 September 2010 (Friedrich Althausen, supported by Yanone) Vollkorn Version 2.1 +- Initial release of the styles Vollkorn Italic and Bold-Italic +- Small improvements in the Regular and Bold styles +
+19 May 2010 (Friedrich Althausen, supported by Yanone) Vollkorn Version 2.0
+- Initial release of the fonts Vollkorn Regular and Bold under the SIL OFL 1.1 + +late 2005 (Friedrich Althausen) Vollkorn Version 1.0
+- First release of Vollkorn under the Creative Commons License “Attribution 2.0 Germany”
+
+ +Acknowledgements
+––––––––––––––––––––––––––––––––––––––––– +(Here is where contributors can be acknowledged. If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.)
+
+N: Friedrich Althausen
+E: post@friedrichalthausen.de
+W: http://friedrichalthausen.de/
+D: Designer – original Regular, Bold, Italic and Bold-Italic, ISO Latin 1 and some additional
+
+N: Jan Yanone Gerner
+E: post@yanone.de
+W: http://yanone.de/
+D: Engineer/Designer – TrueType hinting and mastering
diff --git a/fonts/Vollkorn/OFL-FAQ.txt b/fonts/Vollkorn/OFL-FAQ.txt new file mode 100644 index 0000000..cc9c3dd --- /dev/null +++ b/fonts/Vollkorn/OFL-FAQ.txt @@ -0,0 +1,235 @@ +OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL)
+Version 1.1-update1 - 31 March 2009
+(See http://scripts.sil.org/OFL for updates)
+
+
+1 ABOUT USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
+
+1.1 Can I use the fonts in any publication, even embedded in the file?
+Yes. You may use them like most other fonts, but unlike some fonts you may include an embedded subset of the fonts in your document. Such use does not require you to include this license or other files (listed in OFL condition 2), nor does it require any type of acknowledgement within the publication. Some mention of the font name within the publication information (such as in a colophon) is usually appreciated. If you wish to include the complete font as a separate file, you should distribute the full font package, including all existing acknowledgements, and comply with the OFL conditions. Of course, referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL.
+
+1.2 Can I make web pages using these fonts?
+Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Direct usage of fonts retrieved from a remote server - also referred to as font linking - using cross-platform open standards like @font-face is encouraged. This is considered to be use and distribution for which the OFL explicitly grants permission. The font file itself is not embedded in the webpage but referenced through a web address (i.e. a URI regardless of file format or access protocol) which will cause the browser to retrieve and use the corresponding font to render the webpage. This usage scenario is different from font embedding within a document (i.e. a PDF) where the font or some of its elements become part of the document. Note that embedding in a document is also permitted by the license as indicated in 1.1. (See 1.10 for details related to URL-based access restrictions methods or DRM mechanisms).
+
+1.3 Can I make the fonts available to others from my web site?
+Yes, as long as you meet the conditions of the license (do not sell by itself, include the necessary files, include the necessary copyright and license information, rename Modified Versions, do not abuse the Author(s)' name(s) and do not sublicense). In the case where you are hosting fonts to be served on the web, make sure the file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. If you are making the font available for use via the @font-face open standard, putting this information in the standard font metadata fields is sufficient. Other font formats, including EOT and proposed superior alternatives, already provide fields for this information.
+
+1.4 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions?
+Yes! Fonts licensed under the OFL can be freely aggregated with software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are much more useful aggregated to than merged with existing software, possible incompatibility with existing software licenses is not a problem. You can also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distro CD/DVDs and online repositories.
+
+1.5 I want to distribute the fonts with my program. Does this mean my program also has to be free/libre and open source software?
+No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well.
+
+1.6 Can I include the fonts on a CD of freeware or commercial fonts?
+Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself.
+
+1.7 Can I sell a software package that includes these fonts?
+Yes, you can do this with both the Original Version and a Modified Version. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, edutainment software, etc.
+
+1.8 Why won't the OFL let me sell the fonts alone?
+The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honor and respect their contribution!
+
+1.9 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions?
+Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgment section. Please consider using the Original Versions of the fonts whenever possible.
+
+1.10 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement?
+The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a gray area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not.
+
+1.11 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM mechanisms?
+Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package or bundle. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL.
+
+1.12 What about distributing fonts with a document? Within a compressed folder structure like an OpenDocument file (.odt) for example? Is it redistribution, bundling or embedding?
+The vast majority of the time, documents circulated in electronic form reference a font name which will match the corresponding font on the target system but do not carry the font within themselves. There may, however, be some cases where you need to bundle a font with the document. Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) for which the licensing makes explicit provision. In this case the font is conveyed unchanged whereas embedding a font transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its Author(s).
+
+1.13 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to Author(s)?
+The few utilities that can extract fonts embedded in a PDF will only output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the Author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document please be considerate, use your common sense and respect the work of the Author(s) and the licensing model.
+
+1.14 What about sharing OFL fonts with friends on a CD, DVD or USB stick?
+You are very welcome to share open fonts with friends, family and colleagues on such removable media. Please make sure that you share and share-alike as much as possible from what the Author(s) released and that you don't strip away useful information which may not be present in the binary font files themselves. Just remember that in the case where you sell the font, it has to come bundled with software.
+
+
+2 ABOUT MODIFYING OFL LICENSED FONTS
+
+2.1 Can I change the fonts? Are there any limitations to what things I can and cannot change?
+You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could add additional information into it that covers your contribution.
+
+2.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine?
+Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license.
+
+2.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font?
+Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package.
+
+2.4 Can I pay someone to enhance the fonts for my use and distribution?
+Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefitted from the contributions of others.
+
+2.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use?
+No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefitted from the contributions of others.
+
+2.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available?
+No, but please do share your improvements with others. You may find that you receive more than what you gave in return.
+
+2.7 Why can't I use the Reserved Font Name(s) in my derivative font names? I'd like people to know where the design came from.
+The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Name(s) ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. Keep in mind that the Copyright Holder(s) can allow a specific trusted partner to use Reserved Font Name(s) through a separate written agreement.
+
+2.8 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name?
+Yes, the requirement to change the visible name used to differentiate the font from others applies to the font menu name and other mechanisms to specify a font in a document. It would be fine, for example, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement; see section 2.7). Users who install derivatives ("Modified Versions") on their systems should not see any of the original names ("Reserved Font Names") in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake a font for another and so expect features only another derivative or the Original Version can actually offer. Ultimately, creating name conflicts will cause many problems for the users as well as for the designer of both the Original and Modified versions, so please think ahead and find a good name for your own derivative. Font substitution systems like fontconfig, or application-level font fallback configuration within OpenOffice.org or Scribus, will also get very confused if the name of the font they are configured to substitute to actually refers to another physical font on the user's hard drive. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. The substitution mechanism itself is outside the scope of the license. Users can always manually change a font reference in a document or set up some kind of substitution at a higher level but at the lower level the fonts themselves have to respect the Reserved Font Name(s) requirement to prevent ambiguity. If a substitution is currently active the user should be aware of it.
+
+2.9 Am I not allowed to use any part of the Reserved Font Names?
+You may not use the words of the font names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute.
+
+2.10 So what should I, as an author, identify as Reserved Font Names?
+Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River".
+
+2.11 Do I, as an author, have to identify any Reserved Font Names?
+No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified versions. You may, however, give certain trusted parties the right to use any of your Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion.
+
+2.12 Are any names (such as the main font name) reserved by default?
+No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s).
+
+2.13 What is this FONTLOG thing exactly?
+It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge the authors and other contributors. Please use it! See below for details on how changes should be noted.
+
+2.14 Am I required to update the FONTLOG?
+No, but users, designers and other developers might get very frustrated at you if you don't! People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them.
+
+
+3 ABOUT THE FONTLOG
+
+The FONTLOG can take a variety of formats, but should include these four sections:
+
+3.1 FONTLOG for <FontFamilyName>
+This file provides detailed information on the <FontFamilyName> Font Software. This information should be distributed along with the <FontFamilyName> fonts and any derivative works.
+
+3.2 Basic Font Information
+(Here is where you would describe the purpose and brief specifications for the font project, and where users can find more detailed documentation. It can also include references to how changes can be contributed back to the Original Version. You may also wish to include a short guide to the design, or a reference to such a document.)
+
+3.3 ChangeLog
+(This should list both major and minor changes, most recent first. Here are some examples:)
+
+7 February 2007 (Pat Johnson) <NewFontFamilyName> Version 1.3
+- Added Greek and Cyrillic glyphs
+- Released as "<NewFontFamilyName>"
+
+7 March 2006 (Fred Foobar) <NewFontFamilyName> Version 1.2
+- Tweaked contextual behaviours
+- Released as "<NewFontFamilyName>"
+
+1 Feb 2005 (Jane Doe) <NewFontFamilyName> Version 1.1
+- Improved build script performance and verbosity
+- Extended the smart code documentation
+- Corrected minor typos in the documentation
+- Fixed position of combining inverted breve below (U+032F)
+- Added OpenType/Graphite smart code for Armenian
+- Added Armenian glyphs (U+0531 -> U+0587)
+- Released as "<NewFontFamilyName>"
+
+1 Jan 2005 (Joe Smith) <FontFamilyName> Version 1.0
+- Initial release of font "<FontFamilyName>"
+
+3.4 Acknowledgements
+(Here is where contributors can be acknowledged.
+
+If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.)
+
+N: Jane Doe
+E: jane@university.edu
+W: http://art.university.edu/projects/fonts
+D: Contributor - Armenian glyphs and code
+
+N: Fred Foobar
+E: fred@foobar.org
+W: http://foobar.org
+D: Contributor - misc Graphite fixes
+
+N: Pat Johnson
+E: pat@fontstudio.org
+W: http://pat.fontstudio.org
+D: Designer - Greek & Cyrillic glyphs based on Roman design
+
+N: Tom Parker
+E: tom@company.com
+W: http://www.company.com/tom/projects/fonts
+D: Engineer - original smart font code
+
+N: Joe Smith
+E: joe@fontstudio.org
+W: http://joe.fontstudio.org
+D: Designer - original Roman glyphs
+
+(Original authors can also include information here about their organization.)
+
+
+4 ABOUT MAKING CONTRIBUTIONS
+
+4.1 Why should I contribute my changes back to the original authors?
+It would benefit many people if you contributed back to what you've received. Providing your contributions and improvements to the fonts and other components (data files, source code, build scripts, documentation, etc.) could be a tremendous help and would encourage others to contribute as well and 'give back', which means you will have an opportunity to benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute.
+
+4.2 I've made some very nice improvements to the font, will you consider adopting them and putting them into future Original Versions?
+Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes (the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea). Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting.
+
+4.3 How can I financially support the development of OFL fonts?
+It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version.
+
+
+5 ABOUT THE LICENSE
+
+5.1 I see that this is version 1.1 of the license. Will there be later changes?
+Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL.
+
+5.2 Can I use the SIL Open Font License for my own fonts?
+Yes! We heartily encourage anyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. Some additional information about using the OFL is included at the end of this FAQ.
+
+5.3 Does this license restrict the rights of the Copyright Holder(s)?
+No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this.
+
+5.4 Is the OFL a contract or a license?
+The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license.
+
+5.5 How about translating the license and the FAQ into other languages?
+SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and this FAQ better in their own language. Making the license very clear and readable is a key goal of the OFL.
+
+If you are an experienced translator, you are very welcome to help by translating the OFL and its FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems.
+
+We give permission to publish unofficial translations into other languages provided that they comply with the following guidelines:
+
+- put the following disclaimer in both English and the target language stating clearly that the translation is unofficial:
+
+"This is an unofficial translation of the SIL Open Font License into $language. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text.
+
+However, we recognize that this unofficial translation will help users and designers not familiar with English to understand the SIL OFL better and make it easier to use and release font families under this collaborative font design model. We encourage designers who consider releasing their creation under the OFL to read the FAQ in their own language if it is available.
+
+Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying FAQ."
+
+- keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion.
+
+If you start such a unofficial translation effort of the OFL and its accompanying FAQ please let us know, thank you.
+
+
+6 ABOUT SIL INTERNATIONAL
+
+6.1 Who is SIL International and what does it do?
+SIL International is a worldwide faith-based education and development organization (NGO) that studies, documents, and assists in developing the world's lesser-known languages through literacy, linguistics, translation, and other academic disciplines. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment.
+
+6.2 What does this have to do with font licensing?
+The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack) so SIL developed the SIL Open Font License with the help of the FLOSS community.
+
+6.3 How can I contact SIL?
+Our main web site is: http://www.sil.org/
+Our site about complex scripts is: http://scripts.sil.org/
+Information about this license (including contact email information) is at: http://scripts.sil.org/OFL
+
+
+7 ABOUT USING THE OFL FOR YOUR ORIGINAL FONTS
+
+If you want to release your fonts under the OFL, you only need to do the following:
+
+7.1 Put your copyright and reserved font names information in the beginning of the main OFL file (simply use the dedicated placeholders).
+7.2 Put your copyright and the OFL references in your various font files (such as in the copyright, license and description fields) and in your other components (build scripts, glyph databases, documentation, rendering samples, etc). Accurate metadata in your font files is beneficial to you as an increasing number of applications are exposing this information to the user. For example, clickable links can bring users back to your website and let them know about other work you have done or services you provide. Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata.
+7.3 Write an initial FONTLOG for your font and include it in the release package.
+7.4 Include the OFL license file in your release package.
+7.5 We also highly recommend you include the relevant practical documentation on the license by putting the OFL-FAQ in your package.
+7.6 If you wish, you can use the OFL Graphics on your web page.
+
+That's all. If you have any more questions please get in touch with us.
+
+
diff --git a/fonts/Vollkorn/OpenFontLicense.txt b/fonts/Vollkorn/OpenFontLicense.txt new file mode 100644 index 0000000..1662aac --- /dev/null +++ b/fonts/Vollkorn/OpenFontLicense.txt @@ -0,0 +1,93 @@ +Copyright (c) 2010, Friedrich Althausen (http://friedrichalthausen.de). All rights reserved. +
+This Font Software is licensed under the SIL Open Font License, Version 1.1.
+This license is copied below, and is also available with a FAQ at:
+http://scripts.sil.org/OFL
+
+
+-----------------------------------------------------------
+SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
+-----------------------------------------------------------
+
+PREAMBLE
+The goals of the Open Font License (OFL) are to stimulate worldwide
+development of collaborative font projects, to support the font creation
+efforts of academic and linguistic communities, and to provide a free and
+open framework in which fonts may be shared and improved in partnership
+with others.
+
+The OFL allows the licensed fonts to be used, studied, modified and
+redistributed freely as long as they are not sold by themselves. The
+fonts, including any derivative works, can be bundled, embedded,
+redistributed and/or sold with any software provided that any reserved
+names are not used by derivative works. The fonts and derivatives,
+however, cannot be released under any other type of license. The
+requirement for fonts to remain under this license does not apply
+to any document created using the fonts or their derivatives.
+
+DEFINITIONS
+"Font Software" refers to the set of files released by the Copyright
+Holder(s) under this license and clearly marked as such. This may
+include source files, build scripts and documentation.
+
+"Reserved Font Name" refers to any names specified as such after the
+copyright statement(s).
+
+"Original Version" refers to the collection of Font Software components as
+distributed by the Copyright Holder(s).
+
+"Modified Version" refers to any derivative made by adding to, deleting,
+or substituting -- in part or in whole -- any of the components of the
+Original Version, by changing formats or by porting the Font Software to a
+new environment.
+
+"Author" refers to any designer, engineer, programmer, technical
+writer or other person who contributed to the Font Software.
+
+PERMISSION & CONDITIONS
+Permission is hereby granted, free of charge, to any person obtaining
+a copy of the Font Software, to use, study, copy, merge, embed, modify,
+redistribute, and sell modified and unmodified copies of the Font
+Software, subject to the following conditions:
+
+1) Neither the Font Software nor any of its individual components,
+in Original or Modified Versions, may be sold by itself.
+
+2) Original or Modified Versions of the Font Software may be bundled,
+redistributed and/or sold with any software, provided that each copy
+contains the above copyright notice and this license. These can be
+included either as stand-alone text files, human-readable headers or
+in the appropriate machine-readable metadata fields within text or
+binary files as long as those fields can be easily viewed by the user.
+
+3) No Modified Version of the Font Software may use the Reserved Font
+Name(s) unless explicit written permission is granted by the corresponding
+Copyright Holder. This restriction only applies to the primary font name as
+presented to the users.
+
+4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
+Software shall not be used to promote, endorse or advertise any
+Modified Version, except to acknowledge the contribution(s) of the
+Copyright Holder(s) and the Author(s) or with their explicit written
+permission.
+
+5) The Font Software, modified or unmodified, in part or in whole,
+must be distributed entirely under this license, and must not be
+distributed under any other license. The requirement for fonts to
+remain under this license does not apply to any document created
+using the Font Software.
+
+TERMINATION
+This license becomes null and void if any of the above conditions are
+not met.
+
+DISCLAIMER
+THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
+EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
+MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
+OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
+COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
+INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
+DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
+FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
+OTHER DEALINGS IN THE FONT SOFTWARE.
diff --git a/fonts/Vollkorn/Vollkorn-Bold.ttf b/fonts/Vollkorn/Vollkorn-Bold.ttf Binary files differnew file mode 100644 index 0000000..9d4730f --- /dev/null +++ b/fonts/Vollkorn/Vollkorn-Bold.ttf diff --git a/fonts/Vollkorn/Vollkorn-BoldItalic.ttf b/fonts/Vollkorn/Vollkorn-BoldItalic.ttf Binary files differnew file mode 100644 index 0000000..f703559 --- /dev/null +++ b/fonts/Vollkorn/Vollkorn-BoldItalic.ttf diff --git a/fonts/Vollkorn/Vollkorn-Italic.ttf b/fonts/Vollkorn/Vollkorn-Italic.ttf Binary files differnew file mode 100644 index 0000000..d55c2ee --- /dev/null +++ b/fonts/Vollkorn/Vollkorn-Italic.ttf diff --git a/fonts/Vollkorn/Vollkorn-Regular.ttf b/fonts/Vollkorn/Vollkorn-Regular.ttf Binary files differnew file mode 100644 index 0000000..a913a1b --- /dev/null +++ b/fonts/Vollkorn/Vollkorn-Regular.ttf diff --git a/fonts/convert.pe b/fonts/convert.pe new file mode 100755 index 0000000..6fca738 --- /dev/null +++ b/fonts/convert.pe @@ -0,0 +1,3 @@ +#!fontforge +Open($1) +Generate($1:r + ".otf") diff --git a/fonts/ubuntu-font-family-0.80/CONTRIBUTING.txt b/fonts/ubuntu-font-family-0.80/CONTRIBUTING.txt new file mode 100644 index 0000000..15bdc0c --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/CONTRIBUTING.txt @@ -0,0 +1,21 @@ +The Ubuntu Font Family is very long-term endeavour, and the first time +that a professionally-designed font has been funded specifically with +the intent of being an on-going community expanded project: + + http://font.ubuntu.com/ + +Development of the Ubuntu Font Family is undertaken on Launchpad: + + http://launchpad.net/ubuntu-font-family/ + +and this is where milestones, bug management and releases are handled. + +Contributions are welcomed. Your work will be used on millions of +computers every single day! Following the initial bootstrapping of +Latin, Cyrillic, Greek, Arabic and Hebrew expansion will be undertaken +by font designers from the font design and Ubuntu communities. + +To ensure that the Ubuntu Font Family can be re-licensed to future +widely-used libre font licences, copyright assignment is being required: + + https://launchpad.net/~uff-contributors diff --git a/fonts/ubuntu-font-family-0.80/FONTLOG.txt b/fonts/ubuntu-font-family-0.80/FONTLOG.txt new file mode 100644 index 0000000..35beb4f --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/FONTLOG.txt @@ -0,0 +1,274 @@ +This is the FONTLOG file for the Ubuntu Font Family and attempts to follow +the recommendations at: http://scripts.sil.org/OFL-FAQ_web#43cecb44 + + +Overview + +The new Ubuntu Font Family was started to enable the personality of +Ubuntu to be seen and felt in every menu, button and dialog. +The typeface is sans-serif, uses OpenType features and is manually +hinted for clarity on desktop and mobile computing screens. + +The scope of the Ubuntu Font Family includes all the languages used by +the various Ubuntu users around the world in tune with Ubuntu's +philosophy which states that every user should be able to use their +software in the language of their choice. So the Ubuntu Font Family +project will be extended to cover many more written languages. + + +History + +The Ubuntu Font Family has been creating during 2010 and 2011. As of +September 2011 coverage is provided for Latin, Cyrillic and Greek across +Regular, Italic, Bold and Bold-Italic. + + +ChangeLog + +2011-09-22 (Paul Sladen) Ubuntu Font Family version 0.80 + + [Vincent Connare/Dalton Maag] + * Wish for addition of a monospaced member to the family (LP: #640382) + * Mono: No hinting yet - Ubuntu Beta Mono font looks jagged in + Netbeans and terrible with ClearType (LP: #820493) + * Emacs: choosing normal monospace font in Emacs but gives bold-italic + (LP: #791076) + * PUA: ensure that Ubuntu Circle of Friends logo is full size: (LP: #853855) + + U+E0FF becomes large size in proportionals, remains small width in + monospaces + + U+F0FF becomes small size (proportionals only) + + U+F200 is full ubuntu logomark (proportionals only) + + [Paul Sladen] + * Monospace: Patch Family Name to be "Ubuntu Mono" + * Monospace: Patch U+EFFD version debugging glyph to be '0.8' + + [Cody Boisclair] + * Monospace: Force .null HDMX advance to 500 + * Monospace: Remap ASCII box-drawing characters (LP: #788757) + + [Júlio Reis] + * Date corrections to 'FONTLOG' (LP: #836595) + +2011-03-08 (Paul Sladen) Ubuntu Font Family version 0.71.2 + + * (Production) Adjust Medium WeightClass to 500 (Md, MdIt) (LP: #730912) + +2011-03-07 (Paul Sladen) Ubuntu Font Family version 0.71.1 + + * (Design) Add Capitalised version of glyphs and kern. (Lt, LtIt, + Md, MdIt) DM (LP: #677446) + * (Design) Re-space and tighen Regular and Italic by amount specified + by Mark Shuttleworth (minus 4 FUnits). (Rg, It) (LP: #677149) + * (Design) Design: Latin (U+0192) made straight more like l/c f with + tail (LP: #670768) + * (Design) (U+01B3) should have hook on right, as the lowercase + (U+01B4) (LP: #681026) + * (Design) Tail of Light Italic germandbls, longs and lowercase 'f' + to match Italic/BoldItalic (LP: #623925) + * (Production) Update <case> feature (Lt, LtIt, Md, MdIt). DM + (LP: #676538, #676539) + * (Production) Remove Bulgarian locl feature for Italics. (LP: #708578) + * (Production) Update Description information with new string: + "The Ubuntu Font Family are libre fonts funded by Canonical Ltd + on behalf of the Ubuntu project. The font design work and + technical implementation is being undertaken by Dalton Maag. The + typeface is sans-serif, uses OpenType features and is manually + hinted for clarity on desktop and mobile computing screens. The + scope of the Ubuntu Font Family includes all the languages used + by the various Ubuntu users around the world in tune with + Ubuntu's philosophy which states that every user should be able + to use their software in the language of their choice. The + project is ongoing, and we expect the family will be extended to + cover many written languages in the coming years." + (Rg, It, Bd, BdIt, Lt, LtIt, Md, MdIt) (LP: #690590) + * (Production) Pixel per em indicator added at U+F000 (Lt, LtIt, Md, + MdIt) (LP: #615787) + * (Production) Version number indicator added at U+EFFD (Lt, LtIt, Md, + MdIt) (LP: #640623) + * (Production) fstype bit set to 0 - Editable (Lt, LtIt, Md, MdIt) + (LP: #648406) + * (Production) Localisation of name table has been removed because + of problems with Mac OS/X interpretation of localisation. DM + (LP: #730785) + * (Hinting) Regular '?' dot non-circular (has incorrect control + value). (LP: #654336) + * (Hinting) Too much space after latin capital 'G' in 13pt + regular. Now reduced. (LP: #683437) + * (Hinting) Balance Indian Rupee at 18,19pt (LP: #662177) + * (Hinting) Make Regular '£' less ambiguous at 13-15 ppm (LP: #685562) + * (Hinting) Regular capital 'W' made symmetrical at 31 ppem (LP: #686168) + +2010-12-14 (Paul Sladen) Ubuntu Font Family version 0.70.1 + + Packaging, rebuilt from '2010-12-08 UbuntuFontsSourceFiles_070.zip': + * (Midstream) Fstype bit != 0 (LP: #648406) + * (Midstream) Add unit test to validate fstype bits (LP: #648406) + * (Midstream) Add unit test to validate licence + +2010-12-14 (Paul Sladen) Ubuntu Font Family version 0.70 + + Release notes 0.70: + * (Design) Add Capitalised version of glyphs and kern. (Rg, It, Bd, + BdIt) DM (LP: #676538, #677446) + * (Design) Give acute and grave a slight upright move to more match + the Hungarian double acute angle. (Rg, It, Bd, BdIt) (LP: #656647) + * (Design) Shift Bold Italic accent glyphs to be consistent with the + Italic. (BdIt only) DM (LP: #677449) + * (Design) Check spacing and kerning of dcaron, lcaron and + tcaron. (Rg, It, Bd, BdIt) (LP: #664722) + * (Design) Add positive kerning to () {} [] to open out the + combinations so they are less like a closed box. (Rg, It, Bd, + BdIt) (LP: #671228) + * (Design) Change design of acute.asc and check highest points (Bd + and BdIt only) DM + * (Production) Update <case> feature. DM (LP: #676538, #676539) + * (Production) Remove Romanian locl feature. (Rg, It, Bd, BdIt) + (LP: #635615) + * (Production) Update Copyright information with new + strings. "Copyright 2010 Canonical Ltd. Licensed under the Ubuntu + Font Licence 1.0" Trademark string "Ubuntu and Canonical are + registered trademarks of Canonical Ltd." (Rg, It, Bd, BdIt) DM + (LP: #677450) + * (Design) Check aligning of hyphen, math signs em, en, check braces + and other brackets. 16/11 (LP: #676465) + * (Production) Pixel per em indicator added at U+F000 (Rg, It, Bd, + BdIt) (LP: #615787) + * (Production) Version number indicator added at U+EFFD (Rg, It, Bd, + BdIt) (LP: #640623) + * (Production) fstype bit set to 0 - Editable (Rg, It, Bd, BdIt) + (LP: #648406) + +2010-10-05 (Paul Sladen) Ubuntu Font Family version 0.69 + + [Dalton Maag] + * Italic, + - Hinting on lowercase Italic l amended 19ppm (LP: #632451) + - Hinting on lowercase Italic u amended 12ppm (LP: #626376) + + * Regular, Italic, Bold, BoldItalic + - New Rupee Sign added @ U+20B9 (LP: #645987) + - Ubuntu Roundel added @ U+E0FF (LP: #651606) + + [Paul Sladen] + * All + - Removed "!ubu" GSUB.calt ligature for U+E0FF (LP: #651606) + + +Acknowledgements + +If you make modifications be sure to add your name (N), email (E), +web-address (if you have one) (W) and description (D). This list is in +alphabetical order. + +N: Ryan Abdullah +W: http://www.rayan.de/ +D: Arabic calligraphy and design in collaboration with Dalton Maag +D: Arabic testing + +N: Cody Boisclair +D: Monospace low-level debugging and patching ('fixboxdrawing-ft.py') + +N: Amélie Bonet +W: http://ameliebonet.com/ +D: Type design with Dalton Maag, particularly Ubuntu Mono and Ubuntu Condensed + +N: Jason Campbell +W: http://www.campbellgraphics.com/design/fonts.shtml +D: Monospace hinting (first phase) at Dalton Maag + +N: Pilar Cano +W: http://www.pilarcano.com/ +D: Hebrew realisation with Dalton Maag + +N: Fernando Caro +D: Type design with Dalton Maag, particularly Ubuntu Condensed + +N: Ron Carpenter +W: http://www.daltonmaag.com/ +D: Type design with Dalton Maag +D: Arabic realisation in collaboration with Ryan Abdullah + +N: Vincent Connare +W: http://www.connare.com/ +D: Type design, and engineering with Dalton Maag +D: Monospace hinting (second phase) at Dalton Maag + +N: Dave Crossland +E: dave@understandingfonts.com +W: http://understandingfonts.com/ +D: Documentation and libre licensing guidance +D: Google Webfont integration at Google + +N: Steve Edwards +W: http://www.madebymake.com/ +D: font.ubuntu.com revamp implementation with Canonical Web Team + +N: Iain Farrell +W: http://www.flickr.com/photos/iain +D: Ubuntu Font Family delivery for the Ubuntu UX team at Canonical + +N: Shiraaz Gabru +W: http://www.daltonmaag.com/ +D: Ubuntu Font Family project management at Dalton Maag + +N: Marcus Haslam +W: http://design.canonical.com/author/marcus-haslam/ +D: Creative inspiration + +N: Ben Laenen +D: Inspiration behind the pixels-per-em (PPEM) readout debugging glyph at U+F000 + (for this font the concept was re-implemented from scratch by Dalton-Maag) + +N: Bruno Maag +W: http://www.daltonmaag.com/ +D: Stylistic direction of the Ubuntu Font Family, as head of Dalton Maag + +N: Ivanka Majic +W: http://www.ivankamajic.com/ +D: Guiding the UX team and Cyrillic feedback + +N: David Marshall +W: http://www.daltonmaag.com/ +D: Technical guidance and administration at Dalton Maag + +N: Malcolm Wooden +W: http://www.daltonmaag.com/ +D: Font Engineering at Dalton Maag + +N: Lukas Paltram +W: http://www.daltonmaag.com/ +D: Type design with Dalton Maag + +N: Júlio Reis +D: Date fixes to the documentation + +N: Rodrigo Rivas +D: Indian Rupee Sign glyph + +N: Mark Shuttleworth +E: mark@ubuntu.com +W: http://www.markshuttleworth.com/ +D: Executive quality-control and funding + +N: Paul Sladen +E: ubuntu@paul.sladen.org +W: http://www.paul.sladen.org/ +D: Bug triaging, packaging at Ubuntu and Canonical + +N: Nicolas Spalinger +W: http://planet.open-fonts.org +D: Continuous guidance on libre/open font licensing, best practises in source + tree layout, release and packaging (pkg-fonts Debian team) + +N: Kenneth Wimer +D: Initial PPA packaging + +* Canonical Ltd is the primary commercial sponsor of the Ubuntu and + Kubuntu operating systems +* Dalton Maag are a custom type foundry headed by Bruno Maag + +For further documentation, information on contributors, source code +downloads and those involved with the Ubuntu Font Family, visit: + + http://font.ubuntu.com/ diff --git a/fonts/ubuntu-font-family-0.80/LICENCE-FAQ.txt b/fonts/ubuntu-font-family-0.80/LICENCE-FAQ.txt new file mode 100644 index 0000000..776a25e --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/LICENCE-FAQ.txt @@ -0,0 +1,177 @@ + Ubuntu Font Family Licensing FAQ + + Stylistic Foundations + + The Ubuntu Font Family is the first time that a libre typeface has been + designed professionally and explicitly with the intent of developing a + public and long-term community-based development process. + + When developing an open project, it is generally necessary to have firm + foundations: a font needs to maintain harmony within itself even across + many type designers and writing systems. For the [1]Ubuntu Font Family, + the process has been guided with the type foundry Dalton Maag setting + the project up with firm stylistic foundation covering several + left-to-right scripts: Latin, Greek and Cyrillic; and right-to-left + scripts: Arabic and Hebrew (due in 2011). + + With this starting point the community will, under the supervision of + [2]Canonical and [3]Dalton Maag, be able to build on the existing font + sources to expand their character coverage. Ultimately everybody will + be able to use the Ubuntu Font Family in their own written languages + across the whole of Unicode (and this will take some time!). + + Licensing + + The licence chosen by any free software project is one of the + foundational decisions that sets out how derivatives and contributions + can occur, and in turn what kind of community will form around the + project. + + Using a licence that is compatible with other popular licences is a + powerful constraint because of the [4]network effects: the freedom to + share improvements between projects allows free software to reach + high-quality over time. Licence-proliferation leads to many + incompatible licences, undermining the network effect, the freedom to + share and ultimately making the libre movement that Ubuntu is a part of + less effective. For all kinds of software, writing a new licence is not + to be taken lightly and is a choice that needs to be thoroughly + justified if this path is taken. + + Today it is not clear to Canonical what the best licence for a font + project like the Ubuntu Font Family is: one that starts life designed + by professionals and continues with the full range of community + development, from highly commercial work in new directions to curious + beginners' experimental contributions. The fast and steady pace of the + Ubuntu release cycle means that an interim libre licence has been + necessary to enable the consideration of the font family as part of + Ubuntu 10.10 operating system release. + + Before taking any decision on licensing, Canonical as sponsor and + backer of the project has reviewed the many existing licenses used for + libre/open fonts and engaged the stewards of the most popular licenses + in detailed discussions. The current interim licence is the first step + in progressing the state-of-the-art in licensing for libre/open font + development. + + The public discussion must now involve everyone in the (comparatively + new) area of the libre/open font community; including font users, + software freedom advocates, open source supporters and existing libre + font developers. Most importantly, the minds and wishes of professional + type designers considering entering the free software business + community must be taken on board. + + Conversations and discussion has taken place, privately, with + individuals from the following groups (generally speaking personally on + behalf of themselves, rather than their affiliations): + * [5]SIL International + * [6]Open Font Library + * [7]Software Freedom Law Center + * [8]Google Font API + + Document embedding + + One issue highlighted early on in the survey of existing font licences + is that of document embedding. Almost all font licences, both free and + unfree, permit embedding a font into a document to a certain degree. + Embedding a font with other works that make up a document creates a + "combined work" and copyleft would normally require the whole document + to be distributed under the terms of the font licence. As beautiful as + the font might be, such a licence makes a font too restrictive for + useful general purpose digital publishing. + + The situation is not entirely unique to fonts and is encountered also + with tools such as GNU Bison: a vanilla GNU GPL licence would require + anything generated with Bison to be made available under the terms of + the GPL as well. To avoid this, Bison is [9]published with an + additional permission to the GPL which allows the output of Bison to be + made available under any licence. + + The conflict between licensing of fonts and licensing of documents, is + addressed in two popular libre font licences, the SIL OFL and GNU GPL: + * [10]SIL Open Font Licence: When OFL fonts are embedded in a + document, the OFL's terms do not apply to that document. (See + [11]OFL-FAQ for details. + * [12]GPL Font Exception: The situation is resolved by granting an + additional permission to allow documents to not be covered by the + GPL. (The exception is being reviewed). + + The Ubuntu Font Family must also resolve this conflict, ensuring that + if the font is embedded and then extracted it is once again clearly + under the terms of its libre licence. + + Long-term licensing + + Those individuals involved, especially from Ubuntu and Canonical, are + interested in finding a long-term libre licence that finds broad favour + across the whole libre/open font community. The deliberation during the + past months has been on how to licence the Ubuntu Font Family in the + short-term, while knowingly encouraging everyone to pursue a long-term + goal. + * [13]Copyright assignment will be required so that the Ubuntu Font + Family's licensing can be progressively expanded to one (or more) + licences, as best practice continues to evolve within the + libre/open font community. + * Canonical will support and fund legal work on libre font licensing. + It is recognised that the cost and time commitments required are + likely to be significant. We invite other capable parties to join + in supporting this activity. + + The GPL version 3 (GPLv3) will be used for Ubuntu Font Family build + scripts and the CC-BY-SA for associated documentation and non-font + content: all items which do not end up embedded in general works and + documents. + +Ubuntu Font Licence + + For the short-term only, the initial licence is the [14]Ubuntu Font + License (UFL). This is loosely inspired from the work on the SIL + OFL 1.1, and seeks to clarify the issues that arose during discussions + and legal review, from the perspective of the backers, Canonical Ltd. + Those already using established licensing models such as the GPL, OFL + or Creative Commons licensing should have no worries about continuing + to use them. The Ubuntu Font Licence (UFL) and the SIL Open Font + Licence (SIL OFL) are not identical and should not be confused with + each other. Please read the terms precisely. The UFL is only intended + as an interim license, and the overriding aim is to support the + creation of a more suitable and generic libre font licence. As soon as + such a licence is developed, the Ubuntu Font Family will migrate to + it—made possible by copyright assignment in the interium. Between the + OFL 1.1, and the UFL 1.0, the following changes are made to produce the + Ubuntu Font Licence: + * Clarification: + + 1. Document embedding (see [15]embedding section above). + 2. Apply at point of distribution, instead of receipt + 3. Author vs. copyright holder disambiguation (type designers are + authors, with the copyright holder normally being the funder) + 4. Define "Propagate" (for internationalisation, similar to the GPLv3) + 5. Define "Substantially Changed" + 6. Trademarks are explicitly not transferred + 7. Refine renaming requirement + + Streamlining: + 8. Remove "not to be sold separately" clause + 9. Remove "Reserved Font Name(s)" declaration + + A visual demonstration of how these points were implemented can be + found in the accompanying coloured diff between SIL OFL 1.1 and the + Ubuntu Font Licence 1.0: [16]ofl-1.1-ufl-1.0.diff.html + +References + + 1. http://font.ubuntu.com/ + 2. http://www.canonical.com/ + 3. http://www.daltonmaag.com/ + 4. http://en.wikipedia.org/wiki/Network_effect + 5. http://scripts.sil.org/ + 6. http://openfontlibrary.org/ + 7. http://www.softwarefreedom.org/ + 8. http://code.google.com/webfonts + 9. http://www.gnu.org/licenses/gpl-faq.html#CanIUseGPLToolsForNF + 10. http://scripts.sil.org/OFL_web + 11. http://scripts.sil.org/OFL-FAQ_web + 12. http://www.gnu.org/licenses/gpl-faq.html#FontException + 13. https://launchpad.net/~uff-contributors + 14. http://font.ubuntu.com/ufl/ubuntu-font-licence-1.0.txt + 15. http://font.ubuntu.com/ufl/FAQ.html#embedding + 16. http://font.ubuntu.com/ufl/ofl-1.1-ufl-1.0.diff.html diff --git a/fonts/ubuntu-font-family-0.80/LICENCE.txt b/fonts/ubuntu-font-family-0.80/LICENCE.txt new file mode 100644 index 0000000..ae78a8f --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/LICENCE.txt @@ -0,0 +1,96 @@ +------------------------------- +UBUNTU FONT LICENCE Version 1.0 +------------------------------- + +PREAMBLE +This licence allows the licensed fonts to be used, studied, modified and +redistributed freely. The fonts, including any derivative works, can be +bundled, embedded, and redistributed provided the terms of this licence +are met. The fonts and derivatives, however, cannot be released under +any other licence. The requirement for fonts to remain under this +licence does not require any document created using the fonts or their +derivatives to be published under this licence, as long as the primary +purpose of the document is not to be a vehicle for the distribution of +the fonts. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this licence and clearly marked as such. This may +include source files, build scripts and documentation. + +"Original Version" refers to the collection of Font Software components +as received under this licence. + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to +a new environment. + +"Copyright Holder(s)" refers to all individuals and companies who have a +copyright ownership of the Font Software. + +"Substantially Changed" refers to Modified Versions which can be easily +identified as dissimilar to the Font Software by users of the Font +Software comparing the Original Version with the Modified Version. + +To "Propagate" a work means to do anything with it that, without +permission, would make you directly or secondarily liable for +infringement under applicable copyright law, except executing it on a +computer or modifying a private copy. Propagation includes copying, +distribution (with or without modification and with or without charging +a redistribution fee), making available to the public, and in some +countries other activities as well. + +PERMISSION & CONDITIONS +This licence does not grant any rights under trademark law and all such +rights are reserved. + +Permission is hereby granted, free of charge, to any person obtaining a +copy of the Font Software, to propagate the Font Software, subject to +the below conditions: + +1) Each copy of the Font Software must contain the above copyright +notice and this licence. These can be included either as stand-alone +text files, human-readable headers or in the appropriate machine- +readable metadata fields within text or binary files as long as those +fields can be easily viewed by the user. + +2) The font name complies with the following: +(a) The Original Version must retain its name, unmodified. +(b) Modified Versions which are Substantially Changed must be renamed to +avoid use of the name of the Original Version or similar names entirely. +(c) Modified Versions which are not Substantially Changed must be +renamed to both (i) retain the name of the Original Version and (ii) add +additional naming elements to distinguish the Modified Version from the +Original Version. The name of such Modified Versions must be the name of +the Original Version, with "derivative X" where X represents the name of +the new work, appended to that name. + +3) The name(s) of the Copyright Holder(s) and any contributor to the +Font Software shall not be used to promote, endorse or advertise any +Modified Version, except (i) as required by this licence, (ii) to +acknowledge the contribution(s) of the Copyright Holder(s) or (iii) with +their explicit written permission. + +4) The Font Software, modified or unmodified, in part or in whole, must +be distributed entirely under this licence, and must not be distributed +under any other licence. The requirement for fonts to remain under this +licence does not affect any document created using the Font Software, +except any version of the Font Software extracted from a document +created using the Font Software may only be distributed under this +licence. + +TERMINATION +This licence becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF +COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER +DEALINGS IN THE FONT SOFTWARE. diff --git a/fonts/ubuntu-font-family-0.80/README.txt b/fonts/ubuntu-font-family-0.80/README.txt new file mode 100644 index 0000000..292d4ad --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/README.txt @@ -0,0 +1,15 @@ + ---------------------- + Ubuntu Font Family + ====================== + +The Ubuntu Font Family are a set of matching new libre/open fonts in +development during 2010--2011. The development is being funded by +Canonical Ltd on behalf the wider Free Software community and the +Ubuntu project. The technical font design work and implementation is +being undertaken by Dalton Maag. + +Both the final font Truetype/OpenType files and the design files used +to produce the font family are distributed under an open licence and +you are expressly encouraged to experiment, modify, share and improve. + + http://font.ubuntu.com/ diff --git a/fonts/ubuntu-font-family-0.80/TRADEMARKS.txt b/fonts/ubuntu-font-family-0.80/TRADEMARKS.txt new file mode 100644 index 0000000..d34265b --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/TRADEMARKS.txt @@ -0,0 +1,4 @@ +Ubuntu and Canonical are registered trademarks of Canonical Ltd. + +The licence accompanying these works does not grant any rights +under trademark law and all such rights are reserved. diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-B.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-B.ttf Binary files differnew file mode 100644 index 0000000..c0142fe --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-B.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-BI.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-BI.ttf Binary files differnew file mode 100644 index 0000000..12e4c7d --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-BI.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-C.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-C.ttf Binary files differnew file mode 100644 index 0000000..8d3e867 --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-C.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-L.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-L.ttf Binary files differnew file mode 100644 index 0000000..7b7ac7d --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-L.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-LI.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-LI.ttf Binary files differnew file mode 100644 index 0000000..e36de45 --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-LI.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-M.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-M.ttf Binary files differnew file mode 100644 index 0000000..443ec8b --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-M.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-MI.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-MI.ttf Binary files differnew file mode 100644 index 0000000..321eccf --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-MI.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-R.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-R.ttf Binary files differnew file mode 100644 index 0000000..45a038b --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-R.ttf diff --git a/fonts/ubuntu-font-family-0.80/Ubuntu-RI.ttf b/fonts/ubuntu-font-family-0.80/Ubuntu-RI.ttf Binary files differnew file mode 100644 index 0000000..6f819f6 --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/Ubuntu-RI.ttf diff --git a/fonts/ubuntu-font-family-0.80/UbuntuMono-B.ttf b/fonts/ubuntu-font-family-0.80/UbuntuMono-B.ttf Binary files differnew file mode 100644 index 0000000..7bd6665 --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/UbuntuMono-B.ttf diff --git a/fonts/ubuntu-font-family-0.80/UbuntuMono-BI.ttf b/fonts/ubuntu-font-family-0.80/UbuntuMono-BI.ttf Binary files differnew file mode 100644 index 0000000..6c5b8ba --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/UbuntuMono-BI.ttf diff --git a/fonts/ubuntu-font-family-0.80/UbuntuMono-R.ttf b/fonts/ubuntu-font-family-0.80/UbuntuMono-R.ttf Binary files differnew file mode 100644 index 0000000..fdd309d --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/UbuntuMono-R.ttf diff --git a/fonts/ubuntu-font-family-0.80/UbuntuMono-RI.ttf b/fonts/ubuntu-font-family-0.80/UbuntuMono-RI.ttf Binary files differnew file mode 100644 index 0000000..18f81a2 --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/UbuntuMono-RI.ttf diff --git a/fonts/ubuntu-font-family-0.80/copyright.txt b/fonts/ubuntu-font-family-0.80/copyright.txt new file mode 100644 index 0000000..7734070 --- /dev/null +++ b/fonts/ubuntu-font-family-0.80/copyright.txt @@ -0,0 +1,5 @@ +Copyright 2010,2011 Canonical Ltd. + +This Font Software is licensed under the Ubuntu Font Licence, Version +1.0. https://launchpad.net/ubuntu-font-licence + |